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Tagged With: compositing

A Kaleidoscope of VFX! VFXWorld

Framestore Helps ‘WandaVision’ Find its Wonderful Hue

By Dan Sarto | Monday, April 12, 2021 at 4:13pm

VFX supervisor John Kilshaw’s NY team produced the color blossom transformation from initial black and white format, as well as various magic effects and photoreal CG characters like a stork and kaleidoscope of butterflies, on the hit Marvel Studios and Disney+ series.

Bewitching Visual Effects! VFXWorld

MR. X Provides Bewitching VFX on Marvel Studios’ ‘WandaVision’

By Dan Sarto | Thursday, April 8, 2021 at 5:22pm

Led by VFX supervisor Ralph Maiers, the studio helped ‘energize’ the magical battle between Agnes/Agatha and her coven of witches in the final episode of the hit Disney+ series.

Insights into TV VFX Headline News

WATCH: AWN-FuseFX VFX Artist Interview Series Part 3

By Dan Sarto | Thursday, April 8, 2021 at 10:46am

In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’

Nominated for an Annie! VFXWorld

FX Artists Put the Dinosaur Spittle into ‘Jurassic World: Camp Cretaceous’

Whether its dramatic water splashes, dino drool, or bioluminescent beasts, DreamWorks Animation and Netflix’s adventure series, nominated for a Best FX for TV/Media Annie Award, strives for realistic visual effects that push the story forward through color and lighting.

Nominated for an Annie! VFXWorld

Creating the ‘Smokin’ FX Magic of ‘DreamWorks Wizards’

By using distinctive visual effects as a core series element, almost as a ‘character’ itself, Guillermo del Toro and Netflix’s Emmy Award-winning animated series has garnered an Annie Award nomination for Best FX for TV/Media.   

Insights into TV VFX VFXWorld

WATCH: AWN-FuseFX VFX Artist Interview Series Part 2

By Dan Sarto | Tuesday, April 6, 2021 at 3:56pm

VFX supervisors Brigitte Bourque and Marshall Krasser share insights into their innovative visual effects work on shows like ‘Upload’ and ‘9-1-1: Lone Star.’

Insights into TV VFX Headline News

WATCH: Part 1 of AWN-FuseFX VFX Artist Interview Series

By Dan Sarto | Friday, April 2, 2021 at 11:31am

VFX supervisors Ariel Altman and Josh Miyaji share insights into their innovative visual effects work on shows like ‘Mr. Robot,’ ‘Barry,’ and ‘I Know This Much is True.’

The Magic of VFX! VFXWorld

Method Studios Brings VFX ‘Magic’ to Robert Zemeckis’ ‘The Witches’

Using Unreal Engine-based virtual production tools, VFX supervisor Kevin Baillie helps the Oscar-winning director pre-shoot every live-action scene needing digital characters, including mice, chickens, and a cat.   

People Headline News

ArsenalFX Color Expands Team

Cortney Haile named VP of business development, Albert Soto named chief engineer, and J.R. Benson senior colorist; new hires will support increased offerings including scripted VFX and on-set supervision.

Technology Headline News

Foundry Releases Nuke 13

New version introduces flexible machine learning toolset, Hydra 3D viewport renderer and extended monitor out functionality, enhanced workflows for collaborative review, and Python 3 support.

working remotely ANIMATIONWorld

Animators Without Borders: How the Global Animation Community Came Together at ACM SIGGRAPH London

Artists from New Zealand, the Philippines, and North America could take advantage of the U.K. group’s virtual events to attend remotely and collaborate through online review tools.

Bringing Stories of Oceania to Life Headline News

‘Moana’ Director John Musker Talks Story with the ‘Kapaemahu’ Team

By Dan Sarto | Monday, March 8, 2021 at 5:54pm

Watch Disney’s legendary Oscar-nominated director as he and the Oscar-shortlisted film’s producers discuss bringing Pacific stories alive through animation. 

Technology Headline News

9th Street Films’ Flame Post Pipeline Helps Deliver High-End VFX on Indie Budget

By Dan Sarto | Friday, March 5, 2021 at 2:27pm

Full service creative shop’s innovative workflow helps deliver time and money-saving VFX, color, and editorial on projects like ‘Sixth of June’ and ‘Love 40.’

Commercials Headline News

JAMM Scores a Touchdown with ‘The Neighborhood’ Spot

DoorDash’s first SuperBowl campaign featured rapper Daveed Diggs and the Sesame Street Muppets; creative studio incorporated elements including a CG train and added a bit of animation magic to make Grover fly.

Interactive Shorts Headline News

Disney’s Immersive, Interactive ‘Baymax Dreams’ Short Premieres at Sundance

By Dan Sarto | Thursday, January 28, 2021 at 3:38pm

Studio’s first interactive episode, part of the festival’s New Frontier Gallery, uses interactive cloud streaming technology to enable seamless interaction and high-end graphics on mobile platforms.

TV VFX Headline News

WATCH: Pixomondo’s ‘Raised by Wolves’ Season 1 VFX Breakdown Reel

By Dan Sarto | Tuesday, January 26, 2021 at 4:03pm

Studio’s VFX supervisors Ed Hawkins, Max Riess, and Mark Spindler highlight their teams’ work delivering around 520 shots on HBO Max and Ridley Scott’s hit sci-fi thriller, which has been renewed for Season 2.

Cutting Edge VFX Headline News

WATCH: ‘Stick Figure War’ Showcases Blackmagic Cameras and Unreal Engine

SoKrispyMedia’s hilarious and slickly produced ‘Stick Figure Battle’ sequel skillfully displays their innovative and cost-effective use of virtual production, 3D tools, CGI, and real-time rendering.

short film animation ANIMATIONWorld

‘Bearly’ Charms as SCAD Animation Studio’s Debut Film

The delightful 2D/3D animated musical short, about a curious bear cub’s attempt to resist hibernation, marks the start of the program’s ambitious plan to produce two new shorts each year.

animated short films Headline News

WATCH: Psyop’s ‘Lost & Crowned’ CG Animated Short

Borja Peña Gorostegui’s film, inspired by the Supercell ‘Clash’ universe, garnered over 100 million views online in the 2 months after its September 12 release.

Feature Film VFX VFXWorld

Method Scares Up the Boogeyman in ‘A Babysitter's Guide to Monster Hunting’

Led by VFX supervisor Hamish Schumacher, the Vancouver studio designs and produces three digital monsters, known as Toadies, bringing frighteningly-good fun to Netflix’s new film, based on the Joe Ballarini’s book series.

Digital Aging Headline News

David Beckham Aged Without Scans in ‘Malaria Must Die – So Millions Can Live’ PSA

Digital Domain added decades to the soccer star’s face without producing any geometry using their non-invasive face-swapping technology, Charlatan.

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