Production VFX supervisor Andrew Jackson gets quite ‘particular’ discussing the visual effects in Christopher Nolan’s hit biopic about J. Robert Oppenheimer, his life and work leading The Manhattan Project’s development of the world’s first nuclear bomb.
The committee has revised Rules and Procedures in some categories and announced name changes in others; submissions close on November 30; timing of the 22nd Annual VES Awards Presentation is TBD.
The 3D camera tracking VFX app joins the Boris FX Suite, which already boasts Sapphire, Continuum, Mocha Pro, Silhouette, Optics and CrumplePop; live SynthEyes demos slated for IBC September 15-18.
The VFX studio contributed 1,800 shots for Netflix India’s ‘Rana Naidu’ series, based on the popular American Showtime drama series; work included action clean-ups, greenscreen sequences, and CG elements such as the creation of a realistic snake that appears during a drug-induced hallucination.
‘Foundry Learn and Education’ meetups and presentations at the conference include techniques in compositing from Unity Wētā Tools, Boxel Studios, and Action VFX and lighting and 3D techniques from Foundry product experts.
The VFX studio created detailed graphics and compositing for three of the Netflix sci-fi anthology’s latest episodes: ‘Loch Henry,’ ‘Demon 79,’ and ‘Mazey Day.’
A Stark Production, WildBrain, and Infinite Studios’ popular 3DCG animated series scores new international distribution in the U.S., Canada, Ireland, Norway and France.
Created by U.K.-based director/animator Karl Poyzer the fully animated CG music video found its timing with the track from the ‘Time Proof’ album.
Watch the breakdown real showcasing how the visual effects studio delivered 500 shots on the Paramount+ series, based on the novel ‘The Blue’ by Lucy Clarke, creating a foreboding seascape for the fleeing friends who find themselves in dangerous waters with seemingly ‘no escape.’
Animator Jop Govers breaks down his latest project, from sketching with an iPad and storyboarding with Photoshop to designing characters and animating with Cartoon Animator 5 and compositing with After Effects.
The veteran VFX supervisor delivered between 500-800 shots per episode on the 6-episode Peacock series, depicting Bill Nye getting killed in the most epic global disasters imaginable, including large-scale asteroid strikes, volcanic eruptions, earthquakes, tsunamis, floods… that mixed visual effects with actual footage to show what would happen and how we can either mitigate it, stop it, or survive it.
Creative team hires include Adam Lambert, Roxy Zuckerman, and Michael Reed, with Mattias Andersson joining the studio’s dedicated technology crew.
The Cal State LA alum’s credits include ‘Stranger Things,’ ‘The Amazing Spider-Man,’ and ‘The Hunger Games,’ among others.
The London-based studio’s production software allows artists to create 3D animated content for platforms such as TikTok and YouTube in real-time; smaller teams can create quality content faster and cheaper with fewer steps.
Gavin Friday and Bono’s film project, developed in support of the Irish Hospice Foundation, reimagines Sergei Prokofiev’s classic symphony using a juxtaposition of traditional hand-drawn 2D animation combined with a physical set-built world to tell the story of the grieving 12-year-old Peter.
For Matt Bishop and his artistic team, creating 39 different wildlife creatures, some highly endangered with little available reference, for Apple TV+’s live-action/CGI hybrid series inspired by the life and work of Dr. Jane Goodall, was a rewarding, collaborative effort that hopefully helps inspire people to better understand kids’ relationship with our planet; the show premieres on the streamer April 14.
The visual effects studio creates 334 shots for Season 2 of Brian Young and Netflix’s coming-of-age fantasy adventure about teenage fairies learning to master their powers while navigating love, rivalries, and a flock of bug-like Scrapers at their magical boarding school.
The leading visual effects company delivers 328 shots from its Montreal facility, with another 233 from its London facility, including heavy magical element simulations, a swarm of bees transforming into a human, and the wish fish girl, on the Paul Feig fantasy adventure now streaming on Netflix.
Former visual effects student Noah Catan spent over a year working to improve upon the 2D ‘Klaus’ innovative 3D-styled lighting and shading in his development of Pantheon: Volumetric Lighting for 2D Animation software, created specifically for the production of SCAD Animation Studios’ CTA Emmy nominated animated short.
The leading VFX studio delivers plane crashes, house fires, and a cave with 500-year-old gold treasure, in the latest season of Netflix’s action-adventure mystery teen drama about two warring clans in North Carolina’s famous barrier islands.
The studio delivers 500+ seamless VFX shots for the gripping climax – involving a railway showdown - of the Netflix original dark comedy about a young woman who takes revenge on her abusive alcoholic husband.
The VFX supervisor shares his studio’s fun, old-school visual effects work on Elizabeth Banks’ horror comedy based on the true story of a black bear, sometimes known as Pablo Escobear, who fatally ingested 75 pounds of cocaine dropped by smugglers in the Tennessee wilderness in 1985.
The Australian-based visual effects studio delivers 270 shots for Peyton Reed and Marvel’s MCU Phase 5 kick-off, including augmenting and then destroying the massive Celestium fortress and visualizing Kang’s 3D multiverse map.
For executive producers Chris Prynoski and Daniel C. Katz, both long-time automotive and animation nerds, MotorTrend TV’s new series brings their two passions together for the first time; the live-action / 2D show premiered yesterday, March 14, across the brand’s TV and streaming platforms.
Visual Effects Supervisor Marc Smith and Compositing Supervisor Tanner Bartlett talk burning coals and a chef so hot he’s actually on fire, in Mark Mylod’s dark comedy about a truly cutthroat kitchen, starring Ralph Fiennes and Anya Taylor-Joy, now streaming on HBO Max.
