Studio collaborates with Sky Creative from pre-production through shoot and VFX to create an adrenaline-fueled spot to celebrate the start of the 2023 racing season.
Prime Video drops eight segments of bonus content for their epic Middle Earth fantasy adventure series, now available through X-Ray, which include unreleased footage, interviews with cast and crew, the creation of costumes, and much more.
Prime Video’s epic, $500 million fantasy series delivers its first-class ticket to middle earth with more 10,000 visual effects shots delivered by 20+ VFX studios and tech vendors.
New name reflects the full-service VFX work offered as company works to meet growing industry demand; recent credits include Lucasfilm's ‘The Book of Boba Fett,’ ‘The Mandalorian,’ and Marvel Studios’ ‘Hawkeye.’
The New York-based post-production hub behind ‘Stranger Things’ and ‘The Marvelous Mrs. Maisel’ moves to put down roots north of the border.
Leading visual effects studio delivered nearly 400 shots, adding CG elements to everything from icy lakes to forests and high-speed car chases, in MGM’s latest action-packed James Bond spy thriller.
Company mixes it up with president Tom Kendall changing hats as new head of business development; new hires include Paul Richards as EVP of Technology, and Crys Forsyth-Smith as EVP of Global Production.
Integration will optimize inter-departmental collaboration, enhancing overall service offerings; leading the transition are award-winning editors Eddie Kesler and Matt Barron.
Leading visual effects studio behind films like ‘Avengers: Endgame’ and the upcoming ‘No Time to Die’ and ‘Wonder Woman 1984’ acquires the former Deluxe creative studio assets, in a move that brings some of the industry’s key production expertise and capacity under one roof.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Three veteran creatives join West Coast office of post-production company specializing in VFX, animation and coloring.
Company also brings aboard Alaina Zanotti in business development and promoted Stephanie Gilgar and Angela Lupo.
Colorist Natasha Leonnet previously lent her talents to Blue Sky’s ‘The Peanuts Movie’ and the ‘Ice Age’ and ‘Rio’ franchises.
Digital content creation and delivery leader Deluxe Entertainment Group deploys its VFX workflow The Portal for STARZ’s original series adaptation of Neil Gaiman’s ‘American Gods.’
Former EFILM exec Grove named SVP of Global Feature Sales; Lee, formerly the SVP of Feature Services for Deluxe’s Company 3, takes on expanded role as SVP, Global Client Strategy, Creative Enterprise Sales.
Led by VFX supervisor Jason Billington, Deluxe Entertainment-owned effects house is tapped to heighten realism in many of the film’s high action sequences, adding digital mud, fire and smoke.
Chicago outpost of Deluxe-owned Beast, Company 3 and Method Studios expands talent pool; names Lauren Roth head of production.
Former vice president of technology at Company 3 New York to oversee planned expansion of color grading and finishing services.
Unique workflow automatically formats, distributes media and metadata to multiple VFX houses at unprecedented speeds.
Former Tag Worldwide CEO joins creative services company as President and General Manager, Features and Advertising Post Services, leading Deluxe’s Beast, Company 3, EFILM, Editpool, Rushes and Deluxe’s post-production group in Culver City, CA.
Work by Deluxe-owned Iloura on ‘Game of Throne’s ‘Battle of the Bastards’ receives nomination for outstanding VFX.
EFILM provides film scanning, Company 3 completes color grading, and Method delivers VFX and finishing for directorial short film debut premiering at the Cannes Film Festival.
Deluxe VR will debut new projects and services -- including end-to-end production and post-production -- at NAB 2016.
Color grading pioneer to drive the artistic strategy that defines the Deluxe brand and ensure that the company houses and develops the best creative talent across color, VFX and editorial for film, TV and commercials.
CO3 colorist Greg Fisher worked with ‘Spectre’ director Sam Mendes and cinematographer Hoyte Van Hoytema to build subtle differences into the looks of each of the movie's many locations.
