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Tagged With: color palette

Meow! ANIMATIONWorld

Mark Edwards Talks the Visual Development of ‘Puss in Boots: The Last Wish’

By Dan Sarto | Thursday, February 23, 2023 at 3:48pm

With an exclusive ‘Wishing Star Battle’ breakdown reel to help illustrate, the visual effects supervisor takes us behind the digital curtain, sharing lookdev mandates, design directives, and production realities on how our titular feline hero, as well as the Wolf, Perrito and other characters came to life, on the Oscar-nominated 3DCG animated feature.

Meow! ANIMATIONWorld

‘Puss in Boots: The Last Wish’: So Much More Than Just a Sequel

Producer Mark Swift talks about the development of DreamWorks Animation’s blockbuster adventure-comedy now in theaters, and why the long-awaited swashbuckling feline’s return is his favorite of all the films he’s worked on.

Meow! ANIMATIONWorld

Crime and Funishment: A Feline Hero Returns in ‘Puss in Boots: The Last Wish’

Joel Crawford, director of DreamWorks Animation’s latest adventure-comedy, talks about Kurosawa, Sergio Leone, and the making of his new film about the famous whiskered adventurer’s coming to grips with mortality, a brilliant, instant classic, now in theaters.

Meow! ANIMATIONWorld

‘Puss in Boots: The Last Wish’ Returns to its Fairy-Tale Illustration Roots

For Production Designer Nate Wragg, the daredevil feline star and supporting characters of DreamWorks Animation’s new 3DCG comedy adventure, launching today in theaters, sport more exciting, painterly looks that draw heavily from their illustrated origins.

The Future of Humanity ANIMATIONWorld

‘The Last Prophecy’ Sci-Fi Short Examines AI as the Savior of Humanity

By Dan Sarto | Thursday, October 1, 2020 at 4:56pm

Romain Demongeot’s new CG animated film explores the role of religion in our world’s future, and whether people can exist without icons and gods.

animated short films ANIMATIONWorld

Trippy, Edgy and Reptilian: The Wonderful Melancholia of ‘Acid Rain’

By Dan Sarto | Wednesday, January 8, 2020 at 3:07pm

Polish director Tomek Popakul’s Annie Award-nominated short film is a jagged, hypnotic Eastern European road trip viewed through a depressing but entrancing cartoon shaded daze.