Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Tagged With: Color Correction
Visual effects and post-production company’s new Vancouver facility installs powerful Baselight TWO grading and finishing suite.
More than 45 films and series at the 2017 Sundance Film Festival used Blackmagic Design’s digital film cameras, DaVinci Resolve Studio grading, editing and finishing solution, Fusion Studio visual effects and motion graphics software, and other products throughout production and post production.
Post-production director Alejandro Matus and colorist Ignasi González produce more than 40 different deliveries of the CG-animated feature using Blackmagic Design’s DaVinci Resolve Studio.
DaVinci Resolve 12.5.3 update adds support for the new version of Final Cut Pro X, as well as improvements to Media Composer interoperability, ACES color science, and more.
Chicago outpost of Deluxe-owned Beast, Company 3 and Method Studios expands talent pool; names Lauren Roth head of production.
New update to Blackmagic Design’s professional editing and color correction software adds direct support for Apple ProRes decoding on Windows, allowing users to remove QuickTime 7 from their workflows.
LAIKA chief Travis Knight discusses his directorial debut, ‘Kubo and the Two Strings,’ and his passion for stop-motion animation as a storytelling medium and art form.
More than 20 of this summer’s most anticipated movies including ‘Independence Day: Resurgence’ and ‘Jason Bourne’ employed Blackmagic Design’s digital film cameras, VFX and motion graphics software Fusion Studio and DaVinci Resolve Studio on-set, editing, color correction and finishing tools to shoot, composite and grade the films.
Former vice president of technology at Company 3 New York to oversee planned expansion of color grading and finishing services.
Goldcrest Post London employs Blackmagic Design’s DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ ‘Jason Bourne.’
Former Tag Worldwide CEO joins creative services company as President and General Manager, Features and Advertising Post Services, leading Deluxe’s Beast, Company 3, EFILM, Editpool, Rushes and Deluxe’s post-production group in Culver City, CA.
Former Reliance MediaWorks and Fotokem exec to expand hybrid post production facility’s Digital Intermediate finishing and color grading business.
The full version of Blackmagic Design’s professional editing and color correction software is now available in a Mac-only version in the App Store for Mac OS X for only USD$499.
CO3 colorist Greg Fisher worked with ‘Spectre’ director Sam Mendes and cinematographer Hoyte Van Hoytema to build subtle differences into the looks of each of the movie's many locations.
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
DigitalFilm Tree employs Blackmagic Design’s DaVinci Resolve as a core component of its remote dailies grading and transcoding services.
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Does George Miller’s latest ‘Mad Max’ film have the same “cyan/orange” look dogging so many recent big action movies?
Oscar winner Daniel Junge and Johnny Knoxville’s feature, ‘Being Evel,’ was shot using Blackmagic Design cameras, while more than 20 films at this year’s festival were color graded using DaVinci Resolve.
Blackmagic Design announces DaVinci Resolve 11.1, featuring editing enhancements and improved integration with Apple Final Cut Pro X.