Colorist Natasha Leonnet previously lent her talents to Blue Sky’s ‘The Peanuts Movie’ and the ‘Ice Age’ and ‘Rio’ franchises.
Tagged With: CO3
Former EFILM exec Grove named SVP of Global Feature Sales; Lee, formerly the SVP of Feature Services for Deluxe’s Company 3, takes on expanded role as SVP, Global Client Strategy, Creative Enterprise Sales.
Led by VFX supervisor Jason Billington, Deluxe Entertainment-owned effects house is tapped to heighten realism in many of the film’s high action sequences, adding digital mud, fire and smoke.
Chicago outpost of Deluxe-owned Beast, Company 3 and Method Studios expands talent pool; names Lauren Roth head of production.
Unique workflow automatically formats, distributes media and metadata to multiple VFX houses at unprecedented speeds.
CO3 colorist Greg Fisher worked with ‘Spectre’ director Sam Mendes and cinematographer Hoyte Van Hoytema to build subtle differences into the looks of each of the movie's many locations.
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’