Polish-based production company drops live-action look at the making of Relic Entertainment’s hugely popular strategy game set during World War II.
The two heavily favored features took home coveted Best Animated Feature and Best Visual Effects awards, respectively, while ‘Everything Everywhere All at Once’ was the big overall winner, at last night’ 28th Annual Critics Choice Awards.
In recognition of his contributions to the VFX industry, the 30-year industry veteran was honored on October 14 at the Visual Effects Society’s celebration in Los Angeles.
Relic Entertainment taps the creative studio team once again, this time for a cinematic trailer showcasing the latest addition to its popular real-time strategy game, released by Sega; check out the trailer – the game drops in November.
The two features add to their winning streaks, with the Disney+ animated series nabbing the award for Best Animated Series (TV), at last night’s ceremony.
From functional wingspans to alien throat anatomy, DNEG animation director Robyn Luckham discusses his work on Denis Villeneuve’s masterful epic adaptation of the Frank Herbert sci-fi classic.
Denis Villenueve’s sci-fi epic nabs 10 nominations, followed by Guillermo del Toro’s neo-noir thriller with 8, and both ‘Encanto’ and ‘Flee with two each for the upcoming 27th annual awards.
Two of the director’s previous collaborators - production designer Patrice Vermette and editor Joe Walker - along with first timer, cinematographer Greig Fraser, teamed together to help him bring author Frank Herbert’s famed sci-fi novel, long thought unadaptable in cinema, to the screen.
Electronic Art’s Marcom Game Capture team’s multi-disciplinary approach gives fans the intensity of in-game play with a look at the upcoming November 19 release of ‘Battlefield 2042’s third distinct multiplayer experience, ‘Hazard Zone.’
Ceremony moves to March 27, 2022; film eligibility window returns to standard December 31 deadline, though requirements remain unchanged from 2021 awards.
‘Soul’ also wins for Best Musical Score, while ‘Mank’ wins for Best Cinematography, in the final ceremony of the 2021 awards season.
The ‘Judas and the Black Messiah’ cinematographer is excited to join the project yet nervous to work on a film that relies heavily on CGI.
The ‘Rango’ director reveals both projects will feature fresh, non-Western themes, and one will be a musical.
The one-minute, black and white spotsfeature well-known U.S. actors taking on comic character personas, monologuing lines from stories in a promotional tease.
Film eligibility window extended for 93rd Academy Award consideration; museum opening postponed to coincide with new awards telecast date.
‘Selma’ director and Head of ILM, along with newcomers Debra Zane, Stephen Rivkin, Linda Flowers, and Lynette Howell Taylor, are part of newly elected 2020-2021 board.
‘1917’ and ‘Once Upon a Time in Hollywood,’ along with ‘Ford v Ferrari,’ ‘The Irishman’ and ‘Joker,’ are nominated for achievement in feature films; winners will be announced at January 25 awards gala.
New members Bill Baggelaar, Brooke Breton, Buzz Hays, Arjun Ramamurthy, Rachel Rose, Dave Schnuelle and Mandy Walker the council’s 2019–2020 membership roster to 25.
Tiny Industries joins studio's roster; Tiny Chef creators recently partnered with Ron Howard and Brian Grazer’s Imagine Entertainment to develop content.
Following backlash from the American Society of Cinematographers and the American Cinema Editors, the Motion Picture Academy announces a return to its traditional format for the 91st Academy Awards telecast.
The Motion Picture Academy garners backlash for relegating four craft awards to commercial breaks during the live telecast for the upcoming 91st Oscars.
Industry’s first such master’s degree course, developed with mentors Blue Zoo and The Third Floor, is set to launch this coming November.
Winners of the 33rd Annual ASC Outstanding Achievement Awards will be named at the awards gala on February 9.
VFX supervisor Ken McGaugh and animation supervisor Dennis Yoo face the challenges of creating a steampunk-inflected dystopian world inhabited by giant, predator cities on wheels for Oscar-winning VFX artist-turned-director Christian Rivers’ feature adaptation.
Alongside a new featurette produced by primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert details the hybrid of practical and digital techniques employed for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
