Ceremony moves to March 27, 2022; film eligibility window returns to standard December 31 deadline, though requirements remain unchanged from 2021 awards.
Tagged With: cinematography
‘Soul’ also wins for Best Musical Score, while ‘Mank’ wins for Best Cinematography, in the final ceremony of the 2021 awards season.
The ‘Judas and the Black Messiah’ cinematographer is excited to join the project yet nervous to work on a film that relies heavily on CGI.
The ‘Rango’ director reveals both projects will feature fresh, non-Western themes, and one will be a musical.
The one-minute, black and white spotsfeature well-known U.S. actors taking on comic character personas, monologuing lines from stories in a promotional tease.
Film eligibility window extended for 93rd Academy Award consideration; museum opening postponed to coincide with new awards telecast date.
‘Selma’ director and Head of ILM, along with newcomers Debra Zane, Stephen Rivkin, Linda Flowers, and Lynette Howell Taylor, are part of newly elected 2020-2021 board.
‘1917’ and ‘Once Upon a Time in Hollywood,’ along with ‘Ford v Ferrari,’ ‘The Irishman’ and ‘Joker,’ are nominated for achievement in feature films; winners will be announced at January 25 awards gala.
New members Bill Baggelaar, Brooke Breton, Buzz Hays, Arjun Ramamurthy, Rachel Rose, Dave Schnuelle and Mandy Walker the council’s 2019–2020 membership roster to 25.
Tiny Industries joins studio's roster; Tiny Chef creators recently partnered with Ron Howard and Brian Grazer’s Imagine Entertainment to develop content.
Following backlash from the American Society of Cinematographers and the American Cinema Editors, the Motion Picture Academy announces a return to its traditional format for the 91st Academy Awards telecast.
The Motion Picture Academy garners backlash for relegating four craft awards to commercial breaks during the live telecast for the upcoming 91st Oscars.
Industry’s first such master’s degree course, developed with mentors Blue Zoo and The Third Floor, is set to launch this coming November.
Winners of the 33rd Annual ASC Outstanding Achievement Awards will be named at the awards gala on February 9.
VFX supervisor Ken McGaugh and animation supervisor Dennis Yoo face the challenges of creating a steampunk-inflected dystopian world inhabited by giant, predator cities on wheels for Oscar-winning VFX artist-turned-director Christian Rivers’ feature adaptation.
Alongside a new featurette produced by primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert details the hybrid of practical and digital techniques employed for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Alongside primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert and production designer Nathan Crowley employ a hybrid of practical and digital techniques for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Program is the first in the country to include widely used Perception Neuron, Maker Bot, Formlab and Houdini 3D software technologies in its curriculum.
VFX veteran leads 75-artist team, using state-of-the-art virtual production technology, to tell the story of an android’s battle against a gang of robots.
Colorist Mitch Paulson creates custom looks for his second collaboration with director Ava DuVernay.
Glen Keane’s ‘Dear Basketball,’ Pixar’s ‘Coco’ win animation Oscars; ‘Blade Runner 2049’ wins VFX and cinematography awards.
Sound editors’ guild also honored sound work in short-form animation, games and non-theatrical long-form animation.
Gallery of process images from ‘My Little Pony: The Movie’ cinematographer Anthony Di Ninno showcases the work that went into crafting the final film.