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Tagged With: CG ships

Heading to 1600 Edo Japan VFXWorld

Creating an Authentic Feudal Japan for ‘Shōgun’

Co-creators and EPs Justin Marks and Rachel Kondo, along with their production team on FX and Hulu’s 10-episode limited series - based on James Clavell’s famous 1975 novel - always strove for authenticity in their depiction of Japan in 1600, from its ships to the city of Osaka, even the oil lamps and wicks used to light rooms.

Skol! VFXWorld

BlueBolt’s 'Viking VFX' Quest Ends with ‘The Last Kingdom: Seven Kings Must Die’

After eight years, five seasons and a concluding feature film, VFX supervisor Richard Frazer laughs at the notion he’s earned a PhD in 10th century British history; as the sole visual effects vendor for the entire run, BlueBolt handled historically accurate CG characters, massive armies, and gory combat on the Netflix series and feature.

Feature Film VFX Headline News

Union Shares VFX Breakdown Reel for WWII Thriller ‘Operation Mincemeat’

By Dan Sarto | Tuesday, June 7, 2022 at 8:27am

Studio was the sole visual effects vendor on the Warner Bros. feature - about Great Britain’s successful deception operation prior to the 1943 Allied invasion of Sicily - providing key CG ships and vehicles, wartime London environments, and troops storming into battle.

TV VFX Headline News

BlueBolt Shares VFX Breakdown Reel from ‘The Last Kingdom’ Season 5

By Dan Sarto | Friday, June 3, 2022 at 3:16pm

Visual effects studio delivers 782 shots as the lead vendor on the final season of the hit Netflix series, filled with sprawling CG armies, historically accurate CG ships, environments, and of course, bloody Saxon battles.