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Tagged With: CG set extensions

Feature Film VFX VFXWorld

Rodeo FX Provides VFX ‘Help’ to Netflix’s ‘Damsel’

Led by VFX supervisor Mathieu Dupuis, the studio’s visual effects work brings audiences back to medieval times, with a touch of faerie tale and fantasy elements, including unique castles, enchanting countryside, and the spikey Stone Mountain cave where the titular character, played by Millie Bobby Brown, meets a fire-breathing dragon.

VFX Magic Headline News

MPC Shares ‘Transformers: Rise of the Beasts’ VFX Breakdown Reel

See how the leading visual effects studio delivered 896 shots on Paramount Pictures’ newest entry in the ‘Transformers’ universe, including creating multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994.

Going Out on a Digital Limb Headline News

VFX Legion Amps Up the Terror in Lionsgate’s ‘Cobweb‘

The visual effects boutique delivers 225+ shots for the psychological thriller, adding to the tale’s horror with invisible effects, which included a 3D animated spider, digital limb replacements, and CG environments and set extensions.

All This for a Dog VFXWorld

Teaming Up for ‘John Wick: Chapter 4’ VFX

Collaborators Jonathan Rothbart, Janelle Croshaw Ralla, and Michael Ralla talk incendiary shotgun shells, a blind assassin’s eyeballs, a CG dog, and hundreds of ring finger removals, on Chad Stahelski and Lionsgate’s shoot ‘em up in volume action-adventure. 

VFX Magic Headline News

MPC Shares VFX and Animation From ‘Transformers: Rise of the Beasts’

Studio created multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994; a team of 1,000+ artists across London, Montreal, Bangalore, LA, Toronto, and Adelaide delivered 896 shots, including 18 of the movie’s characters.

TV VFX VFXWorld

Bringing Real-World VFX to the Supernatural World of HBO’s ‘The Outsider’

By Dan Sarto | Friday, March 6, 2020 at 1:16pm

VFX supervisor John Heller discusses how his FuseFX team delivered over 800 shots of invisible, photorealistic visual effects on the otherworldly Stephen King crime thriller.