Brain Zoo’s founder and CEO discuss how he’s stayed ahead of the game since starting the animation studio 27 years ago; he also reflects on the studio’s evolution during COVID and how he keeps landing big brand clients.
Artist Michelle Robinson discusses including artificial intelligence in her process, and the prospect of AI as the ultimate conceptual art form.
The veteran voice actor discusses how he got his start in animation, and how others with a knack for making voices can do the same; he provides tips for improving voice acting skills and shares how many auditions it takes to actually book a gig.
Representatives from industry-leading companies such as ILM, Framestore, Trixter, Rotomaker, Technicolor Creative Studios and Escape Studios will be on-hand to review portfolios and meet potential hires; event runs October 16-21 in Torino, Italy.
The beginning of the school year means it’s time for fresh starts, and a time for both students and teachers to learn new things.
Initiative pairs students and young professionals with Netflix Animation mentors to build equity and access for underrepresented early creatives; latest edition partners with LA-based Black N' Animated.
Recent Sheridan College grad Dorsa Bidhendi discusses how her portfolio landed her a job fresh out of school, the advantages of having an animation vs. fine arts degree, and what exactly she does as a storyboard revisionist.
Industry veteran Ryan Summers discusses how he got his start and his advice for compiling a portfolio to get a job and kickstart a career in motion design.
Hear about Fong’s decision to pursue a major career change that will catapult him from the world of global supply chains to the world of animation and his ‘shotgun’ approach to making it happen.
Savannah College of Art and Design launches the School of Creative Technology, Animation and Motion, Film and Acting, and Visual Communication: courses in new technologies and STEM disciplines prepare students to lead companies, brands, and studios.
Emmy-Nominated animator bolsters design studios’ creative team, bringing a wealth of experience and credits, including ‘Black Panther,’ ‘Thor: Ragnarok, Skyscraper,’ and ‘Avengers: Endgame.’
VFX veteran takes the reins from current creative director and two-time Oscar-winning VFX supervisor Paul Franklin, who will continue providing visual effects consulting to the company on features as well as develop and direct new projects.
6 neurodiverse students completed the 3-year animation career training program that included Autodesk Maya CGI software artist certification and credits on the short film ‘The Cursed Sketchbook’ and 2021 CLU short ‘What to Do With Your Tabloid News.’
Multi-disciplinary studio adds motion design and live-action specialists to creative team known for work with brands including CNN, Discovery, Food Network, ESPN, and Netflix.
The freelance illustrator and motion graphics designer describes his journey from the world of ballet to the world of animation, what coursework he chose to learn his craft, and how he determines what to charge for his services.
Pair will continue to report to Khaki Jones, senior VP of Current Series.
New course, which complements the existing 3D animation program, will feed the growing demand for studio-ready talent; applications are being accepted for 2023 and beyond.
The 30-year VFX veteran’s experience and leadership tapped to cultivate creativity and maximize efficiency of Vancouver-based team.
Recent graduates Jacey Robinson, John da Fonte, and Julianna Mercado discuss their efforts to secure challenging and enjoyable industry work, how they keep up on new tools and technology, and how their college prepared them for the rigors of professional production.
Offered in partnership with Epic Games, the online program provides skills-building training based on the Unreal Fellowship curriculum, opening up new career opportunities in an industry ripe with demand for UE artists; the program runs August 15-September 9.
You’d be surprised at how difficult some artists make it for recruiters by neglecting to provide the simplest – and most important – information.
The Vancouver Film School has earmarked up to $162,000 in scholarships to support indigenous students looking to enroll in select creative arts programs in production; the application deadline is July 20.
There are only 3 days left for Canadian creators to submit original animated series content to Mercury Filmworks’ annual pitching competition returning in-person to the festival’s TAC business conference, running September 21 – 23; entries must be received by June 30.
The free online workshop offers advice on how to land a dream job in the animation, games, and VFX industries; presented via ZOOM on June 29, the program is open to the public.
The VFX and animation company expands upon its presence in the UK, Bulgaria, and across North America and India in response to global clients’ demands for creative services.
