An early adopter of real-time tech, the London-based VFX studio promotes its Head of Studio to serve alongside creative director Chris Lunney and founder Nic Hatch.
Students at the Pearson College school helped deliver more than a dozen shots on the upcoming feature about a retired Irish paramilitary who witnesses an SAS officer’s fatal shooting of his pregnant wife.
Recent Carbon NY and former MPC executive producer brings 20+ years of industry experience, having held various production and managerial positions at companies including Absolute Post and the Mill.
Curriculum provides interactive instruction for producers to up their skills in team management and client servicing; now enrolling for ‘Flame,’ designed for junior or associate producers, the program begins February 14 – additional courses kick off in June.
An evening of live music with Max Muscato, David Nolf, and Telephone Tag will benefit the organization’s Brainstorm Productions’ animation school for autistic students; show coming February 5 to Hotel Café in Los Angeles.
Tardiness has its costs – here are four helpful tips that are worth your time to embrace.
Following studio launches in Munich and Barcelona, the new facility will accommodate company’s growing team and project roster while increasing its capacity and production capabilities.
The award-winning visual effects house to kick off the new year with a new French-based facility helmed by Creative Director/Head of Studio Andy Morley; continued studio expansion follows the recent acquisition of Lola Post Production.
In the last AIP of 2022, the 2D animator discusses animation career opportunities in Portugal, producing and financing her latest film via an artist collective, and how she achieves her unique storytelling style.
The stop-motion animator discusses industry job opportunities in Germany, how he got a rep and shares a behind-the-scenes look at his grad film.
Students will be taught technical skills needed for in-demand jobs to meet the industry’s growing demand in virtual reality, interactive entertainment, and virtual production environments; applications now open for Fall 2023.
Job postings should list required skills and not include scores of ‘nice to have’ or ‘is a plus’ that are often unrealistic and can scare off otherwise viable candidates who fear they don’t qualify.
The animator-turned-director discusses behind-the-scenes of his most recent project, “The Great Wolf Pack: A Call to Adventure,’ and shares a key tip to mastering hand-drawn animation.
David Patton, Mark Warburg, Phil Greenlow, and Sharn Gondal join the Emmy Award-winning VFX/Animation company; Natalie Llewellyn expands her role managing all animation production.
Submissions are open for the new feature animation festival coming March 2023 to Niigata, Japan, home to Toei Animation Studio; submission deadline is December 23.
The FutureWorks Academy 6-month training program at the Chennai studio includes mentorship, specialized training, and a paid internship; successful graduates are offered a 3-year paid service agreement.
Animation supervisors Malcolm Lamont and Jeff Riley discuss climbing the career ladder that led them to stop-motion feature animation; the duo also chats about how director Henry Selick’s new animated movie came together.
It’s a good time of year to be thankful, so don’t forget to send thank-you notes to potential employers you interview with.
The animation editor discusses her journey to ‘lead’ editor, the ins and outs of her job and how social media plays a part in becoming a professional editor.
The architecture student/concept artist discusses her challenges in pursuing an artistic career in Morocco.
Change can be scary but taking a chance to better your career and embrace new opportunities. can be well worth the risk.
Netflix joins The Foundry to support new chapter helmed by Glassworks’ Chris Kiser; studio coalition aims to promote diversity within the VFX industry.
‘International On Line Recruitment by Animayo’ runs October 20-21 during which 18 companies will seek to fill over 200 positions.
Brain Zoo’s founder and CEO discuss how he’s stayed ahead of the game since starting the animation studio 27 years ago; he also reflects on the studio’s evolution during COVID and how he keeps landing big brand clients.
Artist Michelle Robinson discusses including artificial intelligence in her process, and the prospect of AI as the ultimate conceptual art form.
