Both films, due from Marvel Studios in 2023, have traded opening dates based on their respective progress through production.
The episodic MCU continues to expand, as learn of the studios’ expansive slate of series renewals and new series coming in 2022/2023 series, including ‘Moon Knight,’ ‘Ms. Marvel,’ and ‘She-Hulk’ as well as the first ever ‘X-Men’ under the Disney banner.
Iman Vellani stars as Kamala Khan, the spunky teenaged Parkistani American ‘Ms. Marvel’ with polymorphous powers, in the upcoming Disney+ series, as well as alongside Brie Larson as Carol Danvers and Teyonah Parris as Monica Rambeau in 'The Marvels' coming to theatres in 2022.
The ‘Judas and the Black Messiah’ cinematographer is excited to join the project yet nervous to work on a film that relies heavily on CGI.
The companies will co-produce ‘Igraine The Brave Based,’ a 3D animated feature based on Cornelia Funke's magical fantasy novel; additional collaborations in the pipeline include other live-action and animated films and features.
Marvel Studios President and CCO Kevin Feige announces ‘Secret Invasion,’ ‘Ironheart,’ and ‘Armor Wars’ as part of the Disney Investor Day programming reveal extravaganza.
Outdoor screening series features Disney+ Originals world premieres of ‘The Right Stuff,’ and ‘Clouds;’ screenings of fan favorites will include ‘The Simpsons,’ ‘Hocus Pocus,’ ‘Star Wars: The Empire Strikes Back,’ ‘The Sound of Music.’
The MCU gains three new directors in the first half of August and celebrates its first Black female director.
Since its launch this past January, studio has expanded quickly, working on a number of series, and will soon begin VFX production with Sky Studios on HBO’s ‘The Third Day’ mini-series.
One-hour special kicks off new season on Disney XD and DisneyNow.
Voting for nominations closes January 7; VFX and Animated Short Film categories whittled down to 10 films each.
The Academy of Motion Picture Arts and Sciences has just released their list of films to be considered in the race for the Best Visual Effects award at the upcoming 92nd Academy Awards.
High-end animation and visual effects studio used cineSync extensively to help define, refine and enhance their creative vision and stay in tune with directors Anna Boden and Ryan Fleck.
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
‘Spider-Man: Into the Spider-Verse,’ ‘Dreams,’ and ‘Klaus’ presentations confirmed for upcoming animation, VFX, games and immersive storytelling conference.
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
Oscar-winning director, composer and production designer, who teamed together on ‘Incredibles 2,’ are set to present at October 21-25 digital media conference and symposium in Turin, Italy.
VFX supervisor on Disney and Marvel’s action-adventure hit discusses the complex digital character work used to create a young version of Agent Nick Fury.
Warner Bros. scores with record video game adaptation opening, though ‘Endgame’ wins the weekend while passing $2.4 billion globally.
Led by VFX supervisor Simon Stanley-Clamp, the studio delivers 264 visual effects shots for Marvel’s record-breaking box office hit, ‘Avengers: Endgame.’
Marvel’s follow-up to ‘Infinity Wars’ scores record setting second-weekend haul while STX’s animated family offering gets little love from audiences.
Marvel’s highly anticipated follow-up to ‘Infinity War’ beats industry predictions and blasts right by previous records for both domestic and international opening weekends.
‘Endgame’ screening, in cooperation with Trickfilm Festival, will cap four packed conference days starting April 30 in Stuttgart, Germany.
Chaos Group’s 2nd Annual event brings together 3D artists and developers in VFX, architecture and automotive design together for a series of masterclasses in Sofia.
Studio’s fifth animated feature, a comedy adventure written and directed by ‘ParaNorman’ director Chris Butler, posts their worst theatrical opening ever.
