Check everyone off your holiday list at the 3rd annual event that features unique and memorable gifts from pros behind popular animated TV shows and films.
Tagged With: Captain America: Civil War
In celebration of the late actor’s 44th birthday, the studio has replaced the Marvel opening on ‘Black Panther’ with a montage featuring his most memorable moments from the MCU films.
Best known for his role as King T'Challa in ‘Black Panther,’ the actor passed away after a four-year battle with cancer.
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
High-profile creative hires Emile Ghorayeb, Keith Roberts and Spencer Cook join Gilman to bolster studio’s global expansion plans.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
Disney-Pixar sequel sells $180 million in tickets domestically, making it the second-largest June debut ever and the eighth largest all-time debut.
‘Infinity War’ surpasses $1 billion in foreign receipts and is the fifth-largest global release of all time.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
The veteran VFX supervisor discusses digital doubles, animating believable performances and handling on-set technical challenges while shooting Marvel’s smash super hero hit, ‘Captain America: Civil War.’
Los Angeles and Melbourne-based VFX shop expanding into original content with artist and animation director Hibon at the helm as Head Creative Director.
Photorealistic production renderer used on more than 150 feature films since 2002, including recent hits like ‘Doctor Strange,’ ‘Deadpool,’ and ‘Captain America: Civil War,’ to be honored for advancing the use of fully ray-traced rendering in motion pictures.
Academy’s Visual Effects Branch to view 10-minute excerpts from each of the shortlisted films at the VFX Bake-Off held Saturday, January 7, 2017.
The Academy’s Visual Effects Branch Executive Committee to select the 10 films that will advance to nominations voting; nominations for the 89th Oscars will be announced on Tuesday, January 24, 2017.
The Mouse House posts its biggest year ever at the global box office with $5,851.4 million through Nov. 1, surpassing the studio’s previous calendar-year record of $5,843.8 million set in 2015.
Jury Prize is awarded to Israel’s ‘Ma’agalim’ by Uri Lotan & Yoav Shtibelman; Best Visualization awarded to the U.K.’s ‘A Guide To Happy’ from Panoply Creative.
Character effects supervisor Eric Maurer and asset supervisor Oded Raz to bolster studio’s leadership team as the company gears up for the next round of feature work by Blur co-founder and ‘Deadpool’ director Tim Miller.
VFX supervisor Alan Torres explains his studio’s work on key UI and HUD displays for Marvel’s latest action-adventure feature.
CG supervisor Oded Raz and assistant VFX supervisor Jared Simeth discuss the making of Iron Man’s new glove, the Stark Protective Gauntlet, and other visual effects work the Santa Monica-based studio handled on Marvel’s latest super hero blockbuster.
Production sessions at s2016 to include 20th Century Fox’s ‘Deadpool,’ Disney’s ‘Zootopia,’ Lucasfilm’s ‘Star Wars: The Force Awakens,’ Pixar’s ‘Finding Dory’ and LAIKA’s ‘Kubo and the Two Strings.’
VFX supervisor Greg Steele walks us through Iron Man, Cap and the Winter Soldier’s final fight in Marvel’s hit action-adventure.
Design-driven production company creates main-on-end title sequence for Marvel blockbuster using C4D software suite as a central content creation production tool in delivering 3D elements.