Working with DNEG and Distillery VFX, visual effects supervisor Brian Connor delivered almost 700 shots depicting intense aerial combat and a defining set of crash sequences in J.D. Dillard’s epic drama, based on the lives of U.S. Navy officers Jesse Brown and Tom Hudner.
Denis Villeneuve’s sci-fi epic scored a hefty 6 wins, though the evening’s most momentous achievement was an unwanted, violent reminder that live TV never goes as planned... or hoped.
The latest #DeepDive session is a virtual event featuring the VFX teams’ never-before-shared insights into the visual effects behind the Oscar nominated feature ‘Dune;’ registration is open and free.
On March 9, VFX supervisors from the 5 Best Visual Effects Oscar nominated films come together in a free VIEW Conference virtual panel; the event is offered in partnership with OGR and the VFX Festival.
‘Dune’ receives 10 nominations including Best Visual Effects and Best Picture; ‘Encanto,’ ‘Flee,’ ‘Luca,’ ‘The Mitchells vs. the Machines,’ and ‘Raya and the Last Dragon’ are nominated for Best Animated Feature; ‘Affairs of the Art,’ ‘Bestia,’ ‘Boxballet,’ ‘Robin Robin,’ and ‘The Windshield Wiper’ are nominated for Best Animated Short.
For Oscar-winning VFX supervisor Paul Lambert and SFX supervisor Gerd Nefzer, the seamless blending of live-action and CG on Denis Villeneuve’s stunning, epic adaptation of Frank Herbert’s seminal sci-fi tome grounded the film in a believable reality, fully immersing audiences in Paul Atreides’ hero’s journey to the dark, foreboding conflict on the universe’s most dangerous planet.
‘Blade Runner 2049’ director Denis Villeneuve takes the helm of the latest big-screen adaptation of Frank Herbert’s classic sci-fi bestseller, and it looks dark, brooding and utterly inviting.
Production VFX supervisor Guillaume Rocheron, MPC, Method Studios and DNEG describe the creative and technical challenges of bringing four gigantic kaiju to the screen in ‘Godzilla: King of the Monsters.’
