Search form

Tagged With: BOT VFX

We Want More Psychohistory

Finding the Right VFX Equation for ‘Foundation’ Season 2

VFX supervisor Chris MacLean talks about the stunning visuals – 3,215 shots in all - that depict the worlds, characters, ships, and creatures of the hit sci-fi series, based on Isaac Asimov’s famed Hugo Award-winning sci-fi trilogy about Dr. Hari Seldon’s mathematical ‘psychohistory’ predictions; now streaming on Apple TV+.

No… Not the Butterfly VFXWorld

Kaiju VFX Are All the Rage – and Then Some in ‘Monarch: Legacy of Monsters’

VFX supervisor Sean Konrad helped deliver over 3,000 ‘giant’ shots on the highly acclaimed Apple TV+ series with the ‘monstrously’ talented artists on his in-house team and at Rising Sun Pictures, Rodeo FX, Framestore, FuseFX, Outpost VFX, Crafty Apes, Wētā FX, MPC, Storm Studios, Vitality VFX, BOT VFX, Mr. Wolf, Scarab Digital, The Third Floor, Proof, and MPC Visualization.

People Headline News

Natasha Anne Francis Joins BOT VFX as Executive Producer

The industry veteran brings 30+ years of experience across television and film with credits on projects including ‘The Curious Case of Benjamin Button,’ ‘Tron: Legacy,’ ‘Cosmos: A Spacetime Odyssey’ and ‘The Orville.’

What Are the Gods Up to Now? VFXWorld

The Rather Beastly VFX of ‘Shazam! Fury of the Gods’

Co-Visual Effects Supervisor Raymond Chen, working with DNEG, Pixomondo, Stereo D, and BOT VFX, delivers dragons and unicorns, as well as forcefields, capes – yes, capes – and various magical effects, on Warner Bros. and David Sandberg’s ‘Shazam!’ sequel.

People Headline News

Break+Enter Adds Camille Geier as Executive Producer

Former BOT VFX exec will lead studio’s creative, production, and sales teams while setting strategic direction; plans include increasing company profile and recruiting high-level creative and production talent.

TV VFX VFXWorld

Different Day, Different Doomsday in ‘The Umbrella Academy’ Season 2

VFX supervisor Everett Burrell breaks down the Netflix series’ almost 2,000 VFX shots, a mix of nuclear holocausts, digital characters, time jumps, and a goldfish.