Read the film and director list - with images - from the batch of nine news shorts in Netflix’s epic, Emmy Award-winning anthology that returns on May 20; executive producer David Fincher makes his animation directorial debut, and Oscar winner Alberto Mielgo returns with another piece.
Industry leaders join the software giant to provide insights on modern production challenges; sessions include ‘Emerging Trends in M&E: What Students Need to Know,’ ‘Bringing the Characters of ‘Magic: The Gathering’ to Life,’ and ‘Modeling Madness: Experimenting in 3ds Max.’
The 3D character artist and teacher shares tips on training as an animator in Morocco, his journey from student to teacher and 3 strategies for increasing artistic self-discipline.
Under veteran DreamWorks Animation alum Simon Otto’s direction, the short film adaptation of Joe. R. Lansdale Lovecraftian story treats every frame as a painting in a living, breathing illustration.
Axis Studios creates an entire historically accurate CG Elizabethan London, delivering 100 shots for 10 episodes over a span of 18 months.
Writer-director will present his Oscar-nominated film, Netflix’s first original animated feature; ‘Mulm,’ the first 2020 conference trailer, is released.
Studio’s head and executive creative director will share inner workings of their visual and physical effects work on Disney's BAFTA and VES-nominated sci-fi adventure.
Leading U.K. VFX and animation group produces seven-minute immersive experience for Oculus Rift and HTC Vive.
Bristol-based VFX outfit delivers effects across 1,350 shots on Nick Park’s most-recent Aardman feature.
U.K. animation and visual-effects house breathes life into the titular fully CGI protagonist.
Hoxton Square studio to provide on-the-ground boutique support from U.K. capital location.
The new global identity unites U.K. brands Axis Animation, Flaunt Productions and axisVFX under one banner, accompanies company growth and is being celebrated with a limited-edition art book showing the behind-the-scenes work that goes into ‘delivering the unexpected.’
