Tagged With: Avengers: Infinity War
Next generation of company’s in-house technology allows complex facial motions to be added to every moment of gameplay 10x faster; powerful enough for feature films, but accessible enough for game development.
Opening in September, the new studio will offer an extension of the sophisticated and complex VFX services already offered in its German studios.
Free non-commercial license gives new and self-taught CG artists a chance to explore photorealistic rendering at their own pace.
Epic conclusion to 11-year MCU ‘Infinity Saga’ now available, stuffed with hours of different fan-favorite extras based on version and format bundling.
Profile Studios’ Matt Madden shares how virtually integrating Mark Ruffalo and Josh Brolin with CG assets, live, on set, gave ‘Endgame’ and ‘Infinity War’ filmmakers the immediate viewing access they needed to continually adjust and refine the film’s key digital character performances.
Company expands its APAC footprint with two industry veterans who will lead the studios’ new regional visual effects operation.
The new Trusted Partner Network, MPAA Open Source software initiatives and ISV native cloud service offerings are all positively impacting cloud resource utilization.
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
High-profile creative hires Emile Ghorayeb, Keith Roberts and Spencer Cook join Gilman to bolster studio’s global expansion plans.
Leading visualization studio shares just released images showcasing some of their extensive work on Joe and Anthony Russo’s box office smash, the final film in Marvel’s 22-MCU-movie ‘Infinity’ saga.
'Avengers: Endgame' directors to oversee new and expanded Planeswalkers storylines for iconic game franchise’s first onscreen effort.
The studio revisits and revamps Hulk, Marvel’s smash-‘em-up, fan-favorite digital character they first brought to the screen back in 2003.
With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Led by VFX supervisor Simon Stanley-Clamp, the studio delivers 264 visual effects shots for Marvel’s record-breaking box office hit, ‘Avengers: Endgame.’
Chaos Group’s 2nd Annual event brings together 3D artists and developers in VFX, architecture and automotive design together for a series of masterclasses in Sofia.
Take a closer look at the winners of the 17th annual VES Awards, both onstage and off, at this year’s Visual Effects Society gala.
‘Avengers: Infinity War’ garners top feature film with four awards; ‘Spider‐Man: Into the Spider‐Verse’ is top animated feature film; ‘Lost in Space’ leads broadcast wins.
Leading up to Oscar Sunday on February 24th, catch up on AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 91st Academy Awards.
Contenders in the animated feature, animated short film and visual effects categories share their initial reactions to their nominations for Oscar gold.
Brad Bird’s ‘Incredibles 2,’ We Anderson’s ‘Isle of Dogs,’ Mamoru Hosoda’s ‘Mirai, Disney’s ‘Ralph Breaks the Internet,’ and Sony’s ‘Spider-Man: Into the Spider-Verse’ receive nominations for Best Animated Feature.