Emmy-Nominated animator bolsters design studios’ creative team, bringing a wealth of experience and credits, including ‘Black Panther,’ ‘Thor: Ragnarok, Skyscraper,’ and ‘Avengers: Endgame.’
The VFX studio strengthens its leadership team with the former DNEG, Framestore and MPC animation head and supervisor.
Industry veteran with 20+ years of creative and commercial experience to bolster studio’s continued growth in animation and VFX.
Registration now open for conference in Los Angeles running July 28 - August 1.
Animal Logic and Lucasfilm Singapore alum has long list of credits including ‘Kong: Skull Island, Rogue One,’ ‘Jurassic World’ and ‘Avengers: Age of Ultron.’
Character effects supervisor Eric Maurer and asset supervisor Oded Raz to bolster studio’s leadership team as the company gears up for the next round of feature work by Blur co-founder and ‘Deadpool’ director Tim Miller.
District Court Judge John S. Tigar issues preliminary injunction blocking the use of the Academy Award-winning facial motion capture technology by all its licensees, including Digital Domain.
Munich-based visual effects studio delivered 294 shots for key sequences and characters for the Marvel blockbuster and another 106 shots for film trailers for a total of 400 shots.
Duncan Burbridge, executive producer at The Third Floor, discusses how previs helped director Joss Whedon realize his creative vision on Marvel's 'Avengers: Age of Ultron.'
With more than 80 feature films spanning over a decade, Luma Pictures has made its mark with CG characters, simulations, and environments that have hit the big screen on tentpoles such as ‘Ant-Man,’ ‘Avengers: Age of Ultron’ and Pharrell William’s ‘Freedom’ music video.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk’ to compete at the Academy VFX bakeoff on Saturday, January 9, 2016.
Ten shortlisted films to be announced later this month.
CG VFX Supervisor Timothy Hanson and his team at Zoic Studios used Thinkbox Software’s Krakatoa plug-in to generate large quantities of particles for effects for Marvel’s ‘Avengers: Age of Ultron.’
Other featured talks at VIEW 2015 to include Blue Sky’s Scott Carroll on ‘The Peanuts Movie,’ Pixar’s Kim White on ‘Inside Out’ and Sony’s Michael Kurinsky on production design for ‘Hotel Transylvania 2.’
Forty-five short film projects in nine categories are selected from a pool of more than 1,000 submissions to the animago AWARD & CONFERENCE running October 15 & 16, 2015.
Led by VFX/CG Supervisor Timothy Hanson, ZOIC Studios employs RealFlow to help create simulations for Marvel blockbuster ‘Avengers: Age of Ultron,’ completing nearly 100 shots for the movie.
Digital art festival meetup set for July 24th In London to host talks with Ninja Theory graphic designer and art director Alessandro Taini and concept artist Chris Rosewarne, whose film credits include ‘Avengers: Age of Ultron’ and the forthcoming ‘Star Wars Episode VIII.’
Universal's ‘Jurassic World’ holds off Pixar’s ‘Inside Out’ for the third weekend in a row; Paramount's ‘Terminator Genisys’ sees third place debut with $28.7 million from 3,758 locations.
SIGGRAPH announces the complete lineup for this year’s Production Sessions program for its 42nd annual conference, set for August 9-13 at the Los Angeles Convention Center.
ILM VFX supervisor Ben Snow discusses the enormity, complexity and challenges of the work his team wrestled with on Marvel’s latest superhero adventure.
In this four-part interview from FMX 2015, Christopher Townsend, the overall VFX Supervisor on ‘Avengers: Age of Ultron,’ provides a detailed overview of the key components of the Marvel Studios tentpole.
Universal's ‘Jurassic World’ holds off Pixar’s ‘Inside Out’ for the second weekend in a row; Seth MacFarlane R-rated comedy sequel ‘Ted 2’ underwhelms with $33 million debut.
Blackmagic digital film cameras were used to shoot scenes and stunt work in ‘Mad Max: Fury Road’ and ‘Avengers: Age of Ultron,’ while Fusion Studio was used for compositing and to help create action sequences for ‘Spy’ and ‘Barely Lethal.’
Universal and Legendary Pictures’ ‘Jurassic World’ ends Pixar's number-one opening winning streak, but ‘Inside Out’ exceeds expectations to score the top debut of all time for an original Pixar title.
