Digital artists, motion designers, animators, graphic artists, visualizers, and students of all skill levels invited to ‘Create,’ ‘Connect’ and ‘Celebrate;’ first stop, University of Texas – Dallas, April 28.
The ‘Atlanta’ actor will not play Spidey himself, but rather the ‘70s supervillain Hypno-Hustler, who uses high tech musical instruments to hypnotize and rob audiences.
NEP Virtual Studios and Trilith Studios’ new state-of-the-art facility, coming to the Creative Technologies District, offers filmmakers stable advanced real-time workflows and technology including ICVFX.
Long-time leaders from VFX company’s New York facility go south, bolstering team at growing Georgia location; Kubovick assumes role as head of studio and senior VFX supervisor with Seguin serving as head of production and executive producer at her new post.
Brigitte Stanovick and Mark Davis move from LA office to Atlanta to support growing roster of high-profile episodic and feature projects; former senior post-production and project manager will network with local industry leaders, while former compositor heads up 2D team.
Studio joins forces with MBSi, Fuse, and SGPS/ShowRig to offer plug-and-play filmmaking technology site for content creators looking for world-class studio facilities.
Montreal-based artist, known for creating surreal images through collage, will serve as director and art director for the animation and design studio.
Three-day festival features screenings, panel discussions, presentations and top talent from Pixar Animation Studios, Google Creative Lab, and DreamWorks Animation.
Six Point Harness animates stylized opening for secret Donald Glover and Hiro Murai 55-minute musical that just premiered at Coachella.
Newly-launched festival hosts the U.S. premiere of The Weinstein Company’s ‘Leap,’ along with a presentation from animation director Ted Ty of L’Atelier Animation.
New 2D-animated short brought to life by Atlanta-based animation production studio Awesome Inc pays homage to Marietta, GA’s beloved 56-foot-tall steel fowl.
Team of 20 artists employs Autodesk 3ds Max and Maya to create CG environments and effects, including period-era technology reminiscent of 1960s Russian and NASA space programs.
