FuseFX Helps ‘Extend’ the Hijinks in Henry Selick’s ‘Wendell & Wild’
VFX supervisor Paul Santagada’s team used CG to build out and assemble the film’s physical Rust Bank Cemetery and Underworld sets, integrating plate elements, performance passes, secondary bits, and a bunch of fluid, smoke, breaths, and bubbles - delivering 275-300 shots across around 12 sequences on the stop-motion comedy horror film, now streaming on Netflix.
In 3D, CG, Digital Media, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All
