Cinesite delivers a major visual effects sequence for the Marvel Studios production featuring Ant-Man and his evil nemesis Yellow Jacket, creating Ant-Man’s helmet in CG and full-CG characters and effects.
‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk’ to compete at the Academy VFX bakeoff on Saturday, January 9, 2016.
Chicago design studio draws inspiration from glowing red Pym Particle and macro/micro world visual language to create unique main-on-end title sequence for Marvel hit’s feature film.
Ten shortlisted films to be announced later this month.
Still to open in China, Illumination Entertainment's ‘Minions’ becomes the third animated feature ever to cross the billion dollar mark.
Illumination Entertainment's ‘Minions’ beats the lifetime totals of ‘Despicable Me 2’ ($975.5 million) and ‘The Lion King’ ($987.5 million) to become the third-highest-grossing animated film of all time worldwide.
Universal's N.W.A. biopic ‘Straight Outta Compton’ leads the pack at the North American box office with a $60.2 million debut, helping to push Universal past the $2 billion mark domestically.
After being rejected by critics and audiences alike, 20th Century Fox's ‘Fantastic Four’ sees one of the lowest openings of all time for a big-budget studio super hero movie.
Previs supervisor Jim Baker walks us through The Third Floor’s key previs and postvis efforts on the latest Marvel feature.
Prime Focus World’s senior stereo supervisor Richard Baker reveals how the team worked with miniature scale in Marvel’s latest superhero blockbuster “Ant-Man,’ starring Paul Rudd.
Dneg VFX supervisor Alex Wuttke talks lighting, camera arrays and macro photography on Marvel’s latest superhero movie.
Paramount Pictures and Skydance Productions’ $150 million tentpole feature launches to $65 million overseas for an early total of $121 million worldwide.
VFX supervisor Greg Steele talks about bringing ants, wasps and a tiny superhero to the big screen in Marvel’s new action adventure.
VFX supervisor Trent Claus discusses aging and de-aging the character of Dr. Hank Pym in Marvel’s new superhero feature.
Two weeks after its release, Marvel’s ‘Ant-Man’ narrowly beats out Sony’s new action-comedy ‘Pixels’ at the North American box office.
Chicago-based creative studio builds on its past successes with Marvel’s ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Peyton Reed’s ‘Ant-Man’ makes $58 million domestic debut, the second-lowest bow for Marvel Studios since ‘The Incredible Hulk’ opened to $55.4 million in 2008.
Directed by Peyton Reed and produced by Kevin Feige, Marvel’s Ant-Man arrives in theaters on July 17, 2015.
Japanese animated feature ‘Miss Hokusai,’ winner of the Jury Award at Annecy 2015 from director Keiichi Hara and Production I.G., and Marvel’s ‘Ant-Man’ set to open Fantasia 2015.
SIGGRAPH announces the complete lineup for this year’s Production Sessions program for its 42nd annual conference, set for August 9-13 at the Los Angeles Convention Center.
With an extensive list of credits including ‘Jupiter Ascending,’ ‘The Best of Me,’ ‘X-Men: Days of Future Past,’ ‘Riddick,’ ‘White House Down’ and ‘Underworld Awakening,’ Marc A. Rousseau joins Cinesite’s Montréal Studio as VFX Executive Producer.
New television ad for Marvel’s ‘Ant-Man’ reveals additional footage, showcasing the film’s humorous edge but still packed with plenty of action.
The marketing push for Marvel Entertainment’s forthcoming ‘Ant-Man’ feature begins in earnest with a new ant-sized poster, an Entertainment Weekly cover, and the first full-blown trailer.
Seventeen-second preview teaser offers up dramatic shots but provides few clues to the film’s plot.
Upcoming Marvel slate to include ‘Captain America,’ ‘Thor,’ ‘Avengers’ and ‘Guardians of the Galaxy’ installments, along with films featuring Black Panther, Captain Marvel, Doctor Strange and the Inhumans.
