Both films, due from Marvel Studios in 2023, have traded opening dates based on their respective progress through production.
Tagged With: Ant-Man
The ‘Lovecraft’ darling has joined the cast of the third ‘Ant-Man’ franchise pic, rumored as the villainous Kang the Conqueror, a previously Fox-exclusive character.
New joint venture will assume perpetual, worldwide rights to over 100 original, previously unexploited, Stan Lee post-Marvel properties.
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
High-profile creative hires Emile Ghorayeb, Keith Roberts and Spencer Cook join Gilman to bolster studio’s global expansion plans.
Prolific writer, editor and publisher co-created many of the industry’s most iconic characters, including Spider-Man, Iron-Man, the Hulk and Black Panther.
Led by VFX supervisor Stephane Paris, the Montreal studio delivers 200 visual effects shots for the latest Marvel Studios feature directed by Peyton Reed.
Led by VFX supervisor Andrew Hellen, Method artists visualize the unimaginable for the new Marvel Studios feature directed by Peyton Reed.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
Character effects supervisor Eric Maurer and asset supervisor Oded Raz to bolster studio’s leadership team as the company gears up for the next round of feature work by Blur co-founder and ‘Deadpool’ director Tim Miller.
VFX supervisor Russell Earl discusses the climactic airport battle complete with fully CG super heroes, environments and hundreds of digital assets on Marvel’s latest ‘Captain America’ franchise hit.
Animation supervisor Steve Rawlins discusses Spider-Man, Ant-Man, Black Panther and other CG super hero characters ILM produced for Marvel’s action-adventure hit.
VFX supervisor Alan Torres explains his studio’s work on key UI and HUD displays for Marvel’s latest action-adventure feature.
‘Ant-Man’ director Peyton Reed and award-winning commercial director Loni Peristere joins filmmakers’ collective and creative studio Bullitt for commercial representation.
Australia and U.S.-based visual effects house delivers extensive CG environments, a CG Ant-Man, CG ants, and compositing work for Peyton Reed’s Marvel blockbuster.
With more than 80 feature films spanning over a decade, Luma Pictures has made its mark with CG characters, simulations, and environments that have hit the big screen on tentpoles such as ‘Ant-Man,’ ‘Avengers: Age of Ultron’ and Pharrell William’s ‘Freedom’ music video.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Pixar’s ‘Inside Out,’ Illumination Entertainment’s ‘Minions’ and Aardman Animations’ ‘Shaun The Sheep Movie’ nominated for outstanding animated film; VFX nominees include ‘Ant-Man,’ ‘Ex Machina,’ ‘Mad Max: Fury Road,’ The Martian’ and ‘Star Wars: The Force Awakens.’
Cinesite delivers a major visual effects sequence for the Marvel Studios production featuring Ant-Man and his evil nemesis Yellow Jacket, creating Ant-Man’s helmet in CG and full-CG characters and effects.
‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk’ to compete at the Academy VFX bakeoff on Saturday, January 9, 2016.
Chicago design studio draws inspiration from glowing red Pym Particle and macro/micro world visual language to create unique main-on-end title sequence for Marvel hit’s feature film.