Mickey Mouse Watch Spot Celebrates Famed Character’s 90th Anniversary
Design studio Already Been Chewed uses POV concept to push boundaries of licensing deal where Mickey’s full image couldn’t be used in the commercial.
Design studio Already Been Chewed uses POV concept to push boundaries of licensing deal where Mickey’s full image couldn’t be used in the commercial.
New music video is a surreal jaunt through the electronic music master's mansion, complete with curious characters displaying even more curious dance moves.
Teenage rock band hopes song and film dealing with mental health issues and campus gun violence leads to conversation and healing.
Chad Hurd and Justin Wagner share artwork and creative insights from the Season 9 pre-WWII South Pacific island redesign.
Chad Hurd and Justin Wagner share artwork and creative insights from the Season 9 pre-WWII South Pacific island redesign.
First project produced as part of Guru’s new short film program is directed by Samuel W. Bradley with a score by composer Jim Guthrie.
Center assisted painters by providing detailed reference, visual effects, compositing and editing for Oscars-nominated feature.
The veteran director and NFB filmmaker discusses story and design inspirations as well production and artistic challenges he faced during the making of his award-winning animated short film.
Made entirely using Red Giant’s Trapcode Suite, the popular Adobe After Effects plugins for motion graphics and custom AE scripting, ‘L’oiseau qui danse’ is an homage to the abstract animation style of Visual Music.
The Trunk director’s beautifully graded short has the look of a well-watched VHS tape, which, along with Barnaby Templer’s (Fonic) sound design and Sebastian Duh’s score further ground the audience in the 1980s.
The acquisition accelerates Adobe’s position in the cutting-edge 360-degree film and virtual reality media, allowing native integration of SkyBox plugin functionality in future releases of Premiere Pro and After Effects.
Bournemouth, U.K.-based visual effects studio creates more than 420 shots as sole VFX vendor for director Johannes Roberts’ intense survival film, ‘47 Meters Down.’
Postvis/VFX supervisor Teftt Smith II discusses the Santa Monica studio’s work on nearly 300 shots from previs through final delivery.
Director Robert Valley teams with Passion Pictures to bring his gritty graphic novel to the screen, garnering an Oscar nod and Annie win along the way.
The acclaimed director’s Oscar-nominated short warns that humanity's constant fear of the future and obsession with the past imperils our ability to live in the present.
The director, along with art and animation director Liane-Cho Han, discuss the movie’s ten-year journey from one-page story idea to finished film.
Led by director Cathryne Czubek, creative director Justin Barnes and lead illustrator Jordan Bruner, short film series blends live-action and animation to share educational tips about periods and tampons in an authentic and relatable way.
Original animated shorts using the voices of students at London’s Barclay Primary School features 2D characters modelled, rigged and animated in 3D using Maxon Cinema4D.
Short film with a minimalist 3D aesthetic was inspired by Japanese animation films like Satoshi Kon's ‘Paprika,’ Masaaki Yuasa's ‘Happy Machine’ and anything by Studio Ghibli.
Adobe showcases innovation coming to Creative Cloud in experience design, photography, virtual reality, character animation and 3D compositing.
Humor-driven sponsor reel employs 3D and stop-motion animation to bring viewers inside the mind of a designer working in advertising.
PipelineFX's render farm manager keeps the award-winning studio's recreations of Fab Four songs for Netflix's animated series "Beat Bugs" on track.
Render farm manager adds submitter control settings, Path map and frame checking improvements and numerous other features and fixes.
Trunk Animation director delivers ‘Yellow Takeover,’ a body of animation to be mixed by the superstar electronic dance music act’s VJ Pat Jagla during a live performance.