Chaos Group Brings Photorealistic Rendering to Adobe’s Project Felix
V-Ray rendering technology integrated into Adobe’s Project Felix, creating new 3D compositing application for graphic designers.
V-Ray rendering technology integrated into Adobe’s Project Felix, creating new 3D compositing application for graphic designers.
Led by director Cathryne Czubek, creative director Justin Barnes and lead illustrator Jordan Bruner, short film series blends live-action and animation to share educational tips about periods and tampons in an authentic and relatable way.
Original animated shorts using the voices of students at London’s Barclay Primary School features 2D characters modelled, rigged and animated in 3D using Maxon Cinema4D.
Short film with a minimalist 3D aesthetic was inspired by Japanese animation films like Satoshi Kon's ‘Paprika,’ Masaaki Yuasa's ‘Happy Machine’ and anything by Studio Ghibli.
Adobe showcases innovation coming to Creative Cloud in experience design, photography, virtual reality, character animation and 3D compositing.
Fourteen-minute CG-animated short film that won its Oscar-qualifying award at the Los Angeles Shorts Fest was created in Autodesk Maya and Adobe CC and rendered in GPU renderer Redshift.
GenArts and Boris FX releases Sapphire 10, a suite of premium visual effects plug-ins focusing on new effects and features for Adobe, Avid, Flame, and OFX host applications.
New version of Premiere Pro CC to include auto-aware Virtual Reality that seamlessly detects and applies the correct setting to stereoscopic and monoscopic media; After Effects CC to feature new Cinerender technology from MAXON.
Cartoonist, illustrator and animator Garry Pye demonstrates how he created his 3D comic character The Biker using Akvis Sketch, Adobe Photoshop, and Reallusion’s CrazyTalk 8, Character Creator and iClone 6.
NVIDIA SDK brings together all the essential elements for creating GPU-accelerated applications, with access to almost 100 different libraries and APIs as well debugging and profiling tools for Android, Windows and Linux.
New features across Creative Cloud tools for video editing, motion graphics, visual effects and audio first introduced at NAB 2016 are now available.
Working closely with production VFX supervisor John Dykstra, MPC completes more than 990 shots for 20th Century Fox’s ‘X-Men: Apocalypse,’ including the Cerebro Room, Archangel’s wings, Mystique’s body blades, Nightcrawler’s ‘Bamf,’ and the film’s epic final battle sequence.
Iray for MAXON’s Cinema 4D now available in the NVIDIA web store free for 90 days, then $295 a year with a node-locked or floating license.
Project management platform now includes native integration support for Adobe Photoshop CC, Adobe Premiere Pro CC and Adobe After Effects CC; live demonstrations to be held at NAB 2016.
Titmouse Inc.’s Mike Roush puts the redesigned Adobe Flash Professional -- with new tools and even better functionality -- through its paces in a real-world production environment.
Fine art photographer Flora Borsi teams with Adobe on a step-by-step tutorial on how to create a 3D-animated GIF using Fuse CC (Preview) and Photoshop CC for Valentine’s Day.
Web animation tool formerly known as Flash Professional arrives with a long list of new features and enhancements including improvements to pencil and art brushes, projector support and video export to multiple resolutions.
New release features streamlined workflow and improved performance for motion graphics and VFX artists.
Adobe Creative Resident Kelli Anderson uses a combination of After Effects, Photoshop and Illustrator to create a new stop-motion animated video for TMBG’s holiday cut, ‘Long White Beard.’
Adobe renames Flash Professional CC to Adobe Animate CC, rewriting the tool from the ground up to add native support for HTML5 Canvas and WebGL as well as outputs to any format.
Award-winning studio continues its plain-body series of vintage Le Mans winners with stunning Jaguar D-Type images created using VRay, 3ds Max and Photoshop.
New release includes major upgrades to Trapcode Particular, Shine and Mir, new effects builder for visually designing particle systems, and brand-new plug-in Trapcode Tao for generating 3D ribbons and geometric shapes.
Created over the course of seven months, dialog-free animated short pairs sound design and a distinctive visual look and adventurous color palette to help tell the story.