Electric Dreams: John Nelson Talks ‘Blade Runner 2049’
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guests are the Oscar nominated duo, Max Porter and Ru Kuwahata ('Negative Space').
All five Oscars best visual effects nominees used software made by the company, whose employees also were honored by the Television Academy and at the Sci-Tech Awards.
The legendary animator finds his game and garners an Oscar nomination alongside legendary hoopster Kobe Bryant with their animated ‘love letter’ short film tribute to the sport.
Weta’s four-time Oscar-winning senior VFX supervisor talks about the complexities of creating believable digital ape performances in the final film in Fox’s ‘Apes’ trilogy reboot, director Matt Reeves’ futuristic action adventure ‘War for the Planet of the Apes.’
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Cartoon Saloon’s Jeremy Purcell and Guru Studio’s Sanatan Suryavanshi & Sheldon Lisoy detail the complex compositing process behind the meticulously designed story-within-a-story sequences of the Oscar-nominated animated feature.
Pixar film’s director, producer and stars will be on hand for a presentation from Councilmember Gil Cedillo.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
DNeg VFX supervisor Paul Lambert details the creation of futuristic Los Angeles cityscapes, the holographic Joi, and the visuals for the final act of director Denis Villeneuve’s follow-up to the 1982 sci-fi film noir classic by Ridley Scott.
On the road to the 90th Oscars, the studio’s most senior talent reflects on the storytelling and production challenges of bringing ‘Coco’ to audiences, as well as new efforts to increase Pixar’s workplace and senior-level creative diversity.
A team of graduating students from MoPA garner accolades for hyper-realistic animated short with a noir twist.
One of five films to receive a nomination for best visual effects in this year’s race for Oscar gold, ‘Episode VIII’ mixes new characters with those from the 1977-1983 films in wholly new environments.
Imbuing the Oscar-nominated movie with a sense of nostalgia, animators and VFX artists drew on cartoon tradition while experimenting and pushing the cutting edge of technology to get the right look.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Oscar-nominated stop-motion animated short employs a total of 20 sets, 14 puppets, and roughly 1,000 props and costumes, all constructed within a three-month timespan.
Oscar-nominated VFX supervisor details the myriad challenges in bringing director James Gunn’s blockbuster sequel to the screen.
All five nominees for best visual effects for the past 10 years have used the company’s Quadro GPUs to create their work.
Artist behind the character designs for every Pixar feature from ‘Monsters, Inc.’ through the forthcoming ‘Toy Story 4’ steps into a new role for the studio’s 14th Oscar-nominated animated short film.
As the sole visual effects vendor on the final instalment of the prequel trilogy based on the 1968 science fiction classic ‘Planet of the Apes,’ Weta Digital is in the midst of a creative and technological renaissance.
Dorota Kobiela and Hugh Welchman’s Oscar-nominated feature -- all 65,000 oil painted frames -- demonstrates the masochistic insanity that defines what is most precious, endearing and vital about animation.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Animated Short Film at the 90th Academy Awards.