Jellyfish Ups Will Newis to Animation Global Head of Production
Previous animation division executive producer at the global animation and VFX studio will now lead studio’s international teams.
Previous animation division executive producer at the global animation and VFX studio will now lead studio’s international teams.
The Oscar and BAFTA-winning industry veteran’s credits include Jordon Peele’s ‘Nope,’ Sam Mendes’ ‘1917,’ and Michael Dougherty’s ‘Godzilla: King of the Monsters;’ will work out of the studio’s Los Angeles office.
Academy Award-winning industry veterans Eric Brevig and Greg Butler join the visual effects and animation company at a time of unprecedented growth.
The ‘Rango’ director reveals both projects will feature fresh, non-Western themes, and one will be a musical.
‘1917’ also takes home Oscars for Best Cinematography and Sound Mixing in the final ceremony of the 2020 awards season.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.
Sam Mendes’ BAFTA, PGA and Golden Globe Award-winning World War I epic heads into Oscar Sunday with 10 Academy Award nominations, including Best Visual Effects.
‘Grandad was a Romantic’ by Maryam Mohajer wins for British Short Animation; Roger Deakins wins for Cinematography on ‘1917.’
Jonas Rivera wins again, alongside fellow producer Mark Nielsen, for outstanding producer of animated theatrical motion pictures; ‘1917’ and ‘Chernobyl’ also take home awards.
Contenders in the animated feature, animated short film and visual effects categories share their initial reactions to their nominations for Oscar gold.
Winners of the Critics Choice Association’s 25th annual awards were announced last night at their Barker Hangar gala ceremony in Santa Monica, California.
Dean DeBlois’ ‘How to Train Your Dragon: The Hidden World,’ Jérémy Clapin’s ‘I Lost My Body,’ Sergio Pablos’ ‘Klaus,’ Chris Butler’s ‘Missing Link,’ and Josh Cooley’s ‘Toy Story 4’ receive nominations for Best Animated Feature.
‘A Shaun The Sheep Movie: Farmageddon,’ ‘Frozen 2,’ ‘Klaus’ and ‘Toy Story 4' get nods in Animated Film category; ‘1917,’ ‘Avengers: Endgame,’ ‘The Irishman,’ ‘The Lion King’ and ‘Star Wars: The Rise of Skywalker’ nominated for Special Visual Effects.
‘Abominable,’ ‘Frozen 2,’ ‘How to Train Your Dragon: The Hidden World,’ ‘Missing Link’ and ‘Toy Story 4’ to contend in animated movie category; ‘1917,’ ‘Ford v Ferrari’ and ‘The Irishman’ among top producer award nominees.
‘1917’ and ‘Once Upon a Time in Hollywood,’ along with ‘Ford v Ferrari,’ ‘The Irishman’ and ‘Joker,’ are nominated for achievement in feature films; winners will be announced at January 25 awards gala.
Voting for nominations closes January 7; VFX and Animated Short Film categories whittled down to 10 films each.
Disney, DreamWorks Animation, LAIKA and Pixar filmmakers share their thoughts on this morning’s announcement.
DreamWorks Animation’s ‘Abominable,' Disney’s ‘Frozen 2,’ DreamWorks Animation’s ‘How to Train Your Dragon: Hidden World,’ Disney’s ‘The Lion King’ and Pixar’s ‘Toy Story 4’ are nominated in animated film category.
Disney’s ‘Frozen 2,’ DreamWorks Animation’s ‘How to Train Your Dragon: Hidden World,’ Disney’s ‘The Lion King,’ LAIKA’s ‘Missing Link’ and Pixar’s ‘Toy Story 4’ receive nominations for best animated feature.
The Academy of Motion Picture Arts and Sciences has just released their list of films to be considered in the race for the Best Visual Effects award at the upcoming 92nd Academy Awards.