Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Nominated for a Best Visual Effects Oscar, Jon Favreau’s VES Award-winning hit was a masterpiece of photorealistic animation and state-of-the-art virtual production.
Filmakademie Baden-Weurttemburg team honored as top up-and-coming filmmakers with annual award sponsored and presented by Autodesk at 18th Annual Visual Effects Society gala.
VFX supervisor Pablo Helman discusses the sophisticated digital de-aging process, sans markers, used to depict Robert De Niro, Joe Pesci and Al Pacino over a four-decade span.
‘The Lion King’ tops all photoreal features with three awards; ‘Missing Link’ is top animated feature film; ‘The Mandalorian’ leads broadcast wins.
VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.
Mike Chambers returns for his sixth term as committee chair.
Cute CG short about hijinks on the high seas from six ESMA students snags a VES nomination for Outstanding Visual Effects in a Student Project.
If ‘Frozen 2’ is now the highest grossing animated feature film of all time, where does that leave Jon Favreau’s ‘reinterpretation’ of ‘The Lion King?’
Submission forms now available for entering VFX projects in Film, Television, Special Venue, Games, Animation, VR and New Media created between January 1 and December 31, 2019.
Starting with upcoming 18th annual awards, Society will recognize special (practical) effects in photoreal projects and allow more category eligibility for animation projects.
Legendary Academy, DGA and Emmy Award-winning filmmaker to be recognized for his valuable contributions to filmed entertainment at the upcoming January 29 VES Awards.
This year’s class, honored for their exceptional achievements and sustained contributions to the industry, will be recognized at a special reception on October 2.
This year’s selection of notable VFX professionals and industry luminaries to be recognized at a special VES October reception.
The Visual Effects Society releases work project submissions guidelines for upcoming Awards consideration, including information on a new category, qualification changes and deadlines.
VFX supervisor Paul Lambert, DFX supervisor Tristan Myles, miniature effects supervisor Ian Hunter and special effects supervisor J.D. Schwalm receive Academy Awards for their contributions to director Damien Chazelle’s historical biopic.
Head of character animation Simon Otto helps bring more than 65,000 fantastical dragons to life for one of the biggest sequences in the culmination of the studio’s ‘How To Train Your Dragon’ trilogy.
Take a closer look at the winners of the 17th annual VES Awards, both onstage and off, at this year’s Visual Effects Society gala.
‘Avengers: Infinity War’ garners top feature film with four awards; ‘Spider‐Man: Into the Spider‐Verse’ is top animated feature film; ‘Lost in Space’ leads broadcast wins.
Leading up to Oscar Sunday on February 24th, catch up on AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 91st Academy Awards.
Oscar-nominated producer and Illumination CEO to be awarded at 17th Annual VES Awards on February 5.
Digital pioneer Bob Greenberg to receive Empire Award; VFX innovators Jonah Friedman and Andy Jones to receive Empire Tech Award.
