Every year Pixar host the Oscar nominees for Best Animated Short. It's always an exciting chance for the filmmakers to interact with the artists at the studio. Follow their day in pictures.
Category: Short Films
As the festival is winding down my wife and I are on a mission to pack in as much as we can. I have a short film in the festival this year and feel like we need to give it our all (can always sleep when we get home). It's time to take off the gloves switch off the phones and hit the streets!
I am sitting in the filmmakers lounge at Sundance headquarters watching the historic inauguration of Barack Obama. I am amongst a crowd of filmmakers, and there is a clear sense of hope and relief that this day has arrived.
After we enjoyed a spectacular meal at the brunch festival director Geoffrey Gilmore steps up to the mic and welcomes us to none other than Robert Redford.
What is it about Italians? Give any of them a microphone and invite them to speak and they immediately turn into the best public speakers known to man. Joking, calling out to the audience, laughing, and then delivering interesting insight and banter. This is I Castelli Animati.
The inaugural SIGGRAPH Asia 2008 was formally opened on Tuesday, Dec 11, in true Singaporean style: with festive opening speeches by the Conference Chair YT Lee and by distinguished government representatives.
My first Pictoplasma was an eye-opening affair set in the avant-garde city of Berlin.Combining a day-long “character walk” of installations set in fascinating locations, with screenings and lectures featuring the artist/creators themselves, it was a revelation of what a festival could be.
From the shores of enchanting Rio to Sao Paulo’s urban hustle and bustle, I was lucky enough to attend Brazil’s 2008 Anima Mundi festival. This is the only festival I know about that starts in one city for a week and then moves to another town for another week of festivities. While this makes it one of the longest festivals, I think most people would want it to last even a little longer.
Johannes Wolters dives into fmx/08, which this year offered an even greater number of stimulating discussions on the state of artistic and technological visual content.
Peter Plantec previews the speakers, presentations and parties that will make fmx/08 the most fun media conference of the year.
At 20th Century Fox, I Met the Walrus producer Jerry Levitan talks about interviewing John Lennon when he was 14 years old.
At the ILM Q&A, Madame Tutli-Putli director Maciek Szczerbowski and Peter and the Wolf director Suzie Templeton talk about the scale of their film’s puppets.
I banned them from talking about it as I was getting so nervous and then I checked the Oscar website in the afternoon and there we were! And then the phones all started ringing and Rosto gave me some flowers and champagne and whisked me off to dinner!
George Clooney squeezed my arm a few times at the nominee luncheon. Then he asked me where the bar was. That was pretty exciting.
Someone called me when I had friends over for dinner. It was someone who speaks English. I needed time to switch my brain in the English mode, but I understood: “…academy… motion picture…. Congratulations!!!” So I answered, “Yes ?! Thank you!” But I didn’t really understand what it was all about.
I was approached by a conductor, Mark Stephenson (who went on to be our Music Director on the film, and conducted the world premiere at the Royal Albert Hall) who had heard about the awards that I had picked up at film school, and he asked me if I had ever thought about doing films with live music.
The studio was crammed with interesting bits of artistry that clearly pulled in influences from a broad base of culture — art, theatre and film. Amidst the puppets, props, collage assemblages, posters and paraphernalia, I remember one sign that they had up on the wall, that said something like, “an impossible task, a tight budget and a crazy deadline are the mothers of invention”. No doubt, a little spirit catcher for stray producers.
Librarian of Congress James H. Billington adds 25 motion pictures -- including Harry Smith's abstract animation, EARLY ABSTRACTIONS #1-5, 7, 10 (1939-56) -- to the National Film Registry to be preserved for all time, bringing the total number of films on the registry to 450.