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Discreet, the producers of high-end 3D and 2D computer graphics tools this week launched their new unified paint, animation and 3D visual effects system: combustion*. The Macintosh and Windows NT-based system offers a single, unified paint, animation and 3D-compositing environment for visual effects creation. combustion* features Academy Award-winning technology from inferno* and an extremely fast caching architecture for igniting the desktops and creative imaginations of digital visual effects artists world wide.

Fraud troubles for CINAR Corp. increased as RCMP agents seized four boxes of the ARTHUR TV-series producers' tax documents. With a warrant in hand, a joint team from the RCMP (Royal Canadian Mounted Police) and provincial police searched the Old Montreal offices of the Société de développement des entreprises culturelles (Sodec) on the morning of Thursday, April 6, 2000. The search was part of an ongoing investigation launched by the RCMP on October 19, 1999 [AF 10/19/99] after a Bloc Québécois MP made tax fraud allegations in the House of Commons.

* Tuesday, April 18, 2000. Burbank, California, U.S.A.

MIP TV is the premiere television conference and market in the world. The six-day event brings together production companies and distributors from all over the globe. The conference includes a vast array of panels and round-table discussions with some of the world's top professionals. In 1999, MIP TV attracted 10,439 professionals from 2,565 companies from 94 countries, of which 1,170 were exhibiting companies from 50 different countries. This year MIP TV will be featuring a focus on the Internet and other related new technologies.

Veteran animation producer and executive Max Howard has finalized a first-look production deal with DreamWorks. Launching his new production company, Melwood Pictures, Howard will be developing both live-action and animated features. Therefore, he will be stepping down as producer on DreamWorks Pictures' upcoming animated release SPIRIT, STALLION OF THE CIMARRON. Howard came to DreamWorks from Warner Bros. where he served as president of feature animation. During his tenure, the studio produced the award-winning animated feature THE IRON GIANT, as well as QUEST FOR CAMELOT and SPACE JAM.

With live-action film ERIN BROCKOVICH firmly planted at #1, DreamWorks' THE ROAD TO EL DORADO ended up finishing in second place at the U.S. box office. The newest toon featuring Elton John songs grossed US$12.85 million. The special effects enhanced action flick, ROMEO MUST DIE, slipped to #4. The Jet Li film, with primary special effects by Manex Visual Effects, brought home $9.38 million bringing its cume to $38.8 million. Coming off its best picture win at the Oscars, AMERICAN BEAUTY finished in 6th place grossing another $5.41 million, raising its cume to $116.7 million.

Boris FX, the producer of high-end compositing and effects technology recently launched a new titling plug-in called Boris Graffiti. Based on the powerful text animation engine found in Boris RED, Boris Graffiti allows editors to create complex 2D and 3D animated titles within their already familiar non-linear editing system.

REALVIZ has announced a new application, ReTimer 2.0, that can be used to change the speed or length of any motion sequence in post-production. ReTimer utilizes a revolutionary method for creating highly accurate new frames between frames that were actually shot, and can also be used to subtract frames to shorten a sequence realistically. ReTimer automatically creates any number of new frames through an accurate warping technique developed by INRIA, the renowned French Research Lab that is a technology partner to REALVIZ.

ARON WARNER has been named the new head of PACIFIC DATA IMAGES (PDI), the computer animation, commercial production, and effects affiliate of DreamWorks SKG. The move follows the announcement that PDI president and chief executive officer Jim DeRose is resigning his post, effective April 1, 2000, to pursue an unspecified Internet business opportunity. In making the announcement, Katzenberg stated, "During his time at PDI, Jim made enormous contributions to the firm. In one short year, he re-established PDI in the commercial and effects business and took it to record levels.