The Television Animation Portfolio: A Model
So, you want to work for a large television studio? Veteran television producer Larry Huber describes what you had better show him in order to get a job.
Category: Production
CGI: A Rich Country's Toy
Computer animation is prevalent in the U.S., U.K., Canada, France and Japan, but what about the rest of the globe? Olivier Cotte investigates...
2D and 3D: Together For The Better
Sean MacLennan Murch describes how companies are integrating 2D and 3D animation in order to obtain the best of both worlds.
Digital Animation Programs: Three School Profiles
With digital animators being the hottest commodity on the market, AWM profiles three schools that have recently received major donations from leading corporations. Mike Scroggins profiles CalArts. Dr. Richard Weinberg discusses USC's program, while Robin King describes the Sheridan College experience.
Getting That Big Call And Entering Development!
MainBrain's Tom Mason (Dinosaurs For Hire), Steve Rude (Nexus) and Randy and Jean-Marc Lofficier (The Garage) describe their experiences in the world of development.
The State of the Recruiting Nation
Boom or eventual bust? We hear from headhunters around the world.
An Interactive Teaching Tool Comes to Life
Alice Carter leads us through a day in the life of the groundbreaking collaborative educational program, the ACME Virtual Training Network.
From Humble Beginnings to the Makings of Superstars
Steve Hulett of the Motion Picture Screen Cartoonists' Union (MPSC Local 839) reviews animation wages of the past, present and future
The First NATPE Animation & Special Effects Expo (ANIFX)
The editors report on the first annual Animation & Special Effects Expo in Los Angeles.
Ray Tracers: Blue Sky Studios
Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S.
Staying Ahead of the Game
Jerry Hibbert, drawing from his own experience, provides some thoughts on the need for production companies to embrace change.
Yvette Kaplan On the Beavis and Butt-head Watch
Janet Benn provides a case study of the role played by Animation Director Yvette Kaplan on Beavis and Butt-head Do America, while saying more than a little about who Yvette is.
Festival Reasonings
A international selection of filmmakers, executives and others share their thoughts about why animators should consider sending their works to festivals.
Something's Wrong With Our Ship: Animated Motion-Simulator Films in Theme Parks
Judith Rubin surveys what's going on in animated ridefilms at theme parks and other venues around the world and who's making them.
Reynard the Fox and the Jew Animal
The Dutch film industry's most ambitious production during World War II was an anti-Semitic sequel to Reynard the Fox. Egbert Barten and Gerard Groeneveld detail the fascinating story behind the film's production.
The Great Adventures of Izzy--An Olympic Hero for Kids
A look at the making of the first TV special based on an Olympic games mascot.
Shifting Realities: The Brothers Quay--Between Live Action and Animation
The Brothers Quay, those enigmatic masters of stop motion, have now come forth with The Institute Benjamenta, their first "live-action" feature. Suzanne Buchan takes a look at the film and their career.
Peaches N' Dreams: Henry Selick's James and the Giant Peach
Before being adapted to the screen, Roald Dahl's children's book, Jamesand the Giant Peach captured the imagination of several generations of readers since it was first published in 1961.
Splendid Artists: Central and East European Women Animators
Although women did not play the most prominent roles in the policy making bodies, they were particularly visible in all kinds of artistic activities blossoming in the years after the Revolution...
3-D Animation in France
It has been said that four countries have provided leadership in 3-D computer animation: the United States, Japan, Canada and France. One could expand that list to include other countries, such as England; but in any case,France is certainly one of the leaders.
Europe - A Storyboard Success
European animation is on the move -- though whether the confidence ofproducers and studios is fully justified remains to be seen. Iain Harvey,an independent producer who has worked with such studios as TV Cartoons,Hibbert Ralph and Animation City, as well as his own production company,The Illuminated Film Company, discusses the progress of European animationover the last decade.
The Emperor's New Clothes
I know I must be alone in this, and I know that there is nothing I can do about it except eventually accept it and go with it, but I do feel that I am waving at a computer-generated Emperor and politely telling him that he is wearing no clothes...
