Category: Previs/Postvis/Visualization

After shifting to a virtual format due to the COVID-19 pandemic and conference center unavailability, organizers reveal online conference dates and additional details. 

With production shutdown due to COVID-19, the hit NBC series finished its final Season 7 episode by integrating 20+ minutes of toon-shaded animation with live-action.

The Emmy Award-winning VFX artist leverages his animation and visual effects experience to craft a suspenseful film about a young NASA scientist obsessed with proving he was abducted by aliens. 

Award-winning computer graphics researchers and professors are the first announced presenters at upcoming October 18-23 digital media conference in Turin, Italy.

Led by VFX supervisor Sven Martin, the studio handled all visual effects production on Philipp Stölzl’s colorful feature film adaptation of the stage musical of the same name.

Led by VFX supervisor Derek Spears, the studio filled the sea and sky around Midway Atoll with the devastating tools and action of war in Roland Emmerich’s harrowing tale of the decisive 1942 battle between the U.S. and Japan in the Pacific Theatre of WWII.

‘The Lion King’ tops all photoreal features with three awards; ‘Missing Link’ is top animated feature film; ‘The Mandalorian’ leads broadcast wins. 

VES Award nominee Matt Welford describes ‘supporting visual effects,’ including previs and techvis, on the inaugural episode of the ‘Aquaman’ star’s hit post-apocalyptic action-adventure series.

Rosana Sullivan and Kathryn Hendrickson’s heartwarming short, about an unlikely connection between a stray kitten and pit bull, deftly illustrates the inherent beauty and power of 2D animated storytelling.