Kitty Snyder Joins Atlanta Outpost for Beast, CO3 & Method
Post-production veteran is appointed Director of Creative Partnerships for the Atlanta branches of Beast, Company 3 and Method Studios.
Post-production veteran is appointed Director of Creative Partnerships for the Atlanta branches of Beast, Company 3 and Method Studios.
New Los Angeles HQ to be headed up by executive producer Kate Hitchings joined by head of color Aubrey Woodiwiss.
Post-production veteran formerly with Deluxe Entertainment Group to oversee finishing process for feature films.
Sydney, Australia-based Beyond Productions uses Blackmagic Design's DaVinci Resolve Studio to support its post-production workflow for new virtual reality content for Discovery Channel’s hit television show ‘MythBusters.’
Top DPs, VFX artists, colorists and post production facilities rely on Blackmagic Design to help deliver more than 40 fall television shows.
New York-based full-service production company celebrates one-year anniversary with the debut of a new commercial campaign for Olay.
Post facility develops unique workflow to deliver quality and quick turnaround times for the fifth season of MTV’s popular high school drama.
Toronto-based supplier of production equipment, workflow and post-production solutions undertakes a multi-million dollar build-out of the Hollywood Office Campus to house Los Angeles operations of Chainsaw, SIM Digital and Bling Digital.
Many of TIFF’s most anticipated projects feature contributions from Deluxe and its portfolio companies Company 3, Method Studios and EFILM.
Teaming with agency Heat and award-winning director Wayne McClammy of prodco hungry man, MPC LA’s team of world-renowned artists provides VFX and post services for a new trailer for EA’s ‘Madden NFL 16.’
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.
The Colonie welcomes assistant editors Emily Hayes and Stephania Dulowski to its creative team, moves Ben Pokorny to the company’s VFX/finishing department.
Previs supervisor Jim Baker walks us through The Third Floor’s key previs and postvis efforts on the latest Marvel feature.
Sony Imageworks VFX supervisor Dan Kramer helps bring iconic low-res 1980s arcade game characters into the CG world of 2015 in the new Adam Sandler film.
NYC-based previs studio stretches creative boundaries with ‘Bayonet’ music video tapping company’s strengths in motion capture, 3D animation, visual effects, editorial, and more.
Global VFX powerhouse MPC’s expansion into China shows that despite considerable challenges, opportunities are there for the taking.
New features in DaVinci Resolve 12 include a new interface, multi-camera editing feature, enhanced core editing tools, new audio engine, redesigned media management tools, new color grading tools, remote rendering and improved editorial workflows.
Former senior art director at Click3x has worked with high-profile commercial and broadcast clients including Verizon, HBO, Olay, MasterCard, Nat Geo, Wendy’s and Movado
Hybrid studio offers integrated services for feature film and broadcast color, visual effects and emerging technologies.
Leading trade organization honors esteemed post-production executive with special award on the 10th anniversary of the Hollywood Post Alliance Awards.
DigitalFilm Tree employs Blackmagic Design’s DaVinci Resolve as a core component of its remote dailies grading and transcoding services.