EFILM provides film scanning, Company 3 completes color grading, and Method delivers VFX and finishing for directorial short film debut premiering at the Cannes Film Festival.
Eleventh annual industry honors shine spotlight on excellence in sound, editing, visual effects and color.
Former Gibraltar & Co executive to succeed SIM Group founder Rob Sim, who becomes vice chairman May 16.
Former Cutting Room EP who has worked with agencies and prodcos including BBDO, McCann, Droga5, Publicis, O Positive and Station Film joins Deluxe-owned creative editorial company.
CSU Animation and Visual Effects present the 13th Anniversary of the Australian International Animation Festival, running Friday, May 13 through Sunday, May 15, 2016.
Bi-coastal creative studio Carbon opens in Chicago, serving the Midwest region with its high-end VFX, post-production, and full-fledged design studio
Hollywood-based post facility supplies editorial team through 24 months and four locations on Jon Favreau’s magical production.
Ron Frankel, founder and creative director at Proof Inc., discusses the impact both previs and postvis have on films like 'Guardians of the Galaxy.'
Massive update boasts more than 1,000 enhancements and 250 new features, including major additions to the editing toolset, new and enhanced color features, improved HDR support, and powerful new effects.
Deluxe VR will debut new projects and services -- including end-to-end production and post-production -- at NAB 2016.
Former Beast NY editor joins editorial company with integrated VFX and sound design as newest company partner.
Australian Film Television and Radio School offers short courses taught by industry experts in state-of-the-art facilities.
Max Solomon, an animation supervisor at Framestore, discusses his work as on 'Jupiter Ascending' and 'Gravity.'
Joe Letteri, senior VFX supervisor and studio director at Weta Digital, discusses the use of digital characters and virtual production technology on the three 'Hobbit' films.
Color grading pioneer to drive the artistic strategy that defines the Deluxe brand and ensure that the company houses and develops the best creative talent across color, VFX and editorial for film, TV and commercials.
Duncan Burbridge, executive producer at The Third Floor, discusses how previs helped director Joss Whedon realize his creative vision on Marvel's 'Avengers: Age of Ultron.'
Former Reliance MediaWorks and Fotokem exec to expand hybrid post production facility’s Digital Intermediate finishing and color grading business.
Oscar gold: Pixar Animation Studio’s ‘Inside Out’ wins best animated feature and Gabriel Osorio and Pato Escala’s ‘Bear Story’ wins best animated short; ‘Ex Machina’ wins VFX prize.
New York City-based editorial/post-production company Uppercut strengthens its leadership with the addition of Stefanie Bassett as Executive Producer.
Transition in organizational leadership announced at the Hollywood Professional Association’s annual HPA Tech Retreat.
An array of products from Blackmagic Design were used in 2016 Oscar-nominated films including Blackmagic Cinema Cameras on ‘Mad Max: Fury Road’ and DaVinci Resolve Studio and Fusion Studio on ‘The Martian.’