Staying Ahead of the Game
Jerry Hibbert, drawing from his own experience, provides some thoughts on the need for production companies to embrace change.
Jerry Hibbert, drawing from his own experience, provides some thoughts on the need for production companies to embrace change.
Maureen Furniss recounts her experiences as a member of the Ottawa 96 selection committee, providing some friendly advice from her and her fellow jurors.
Wherein the Museum of Modern Art's Adrienne Mancia reminisces to Mark Langer about her past efforts in animation programming and her thoughts about the state of the craft today.
Many time festival programmer and juror Otto Adler provides his viewpoint on the ins and outs of selecting and programming films.
Janet Benn provides a case study of the role played by Animation Director Yvette Kaplan on Beavis and Butt-head Do America, while saying more than a little about who Yvette is.
Annick Teninge talks with the current director of Annecy, the granddaddy of all animation festivals, about how and why it has changed over the years.
Annick Teninge talks with the current director of Annecy, the granddaddy of all animation festivals, about how and why it has changed over the years. [
A personal memoir by Linda Jones of how she and her father got started in producing and selling animation art.
Filmmaker, teacher and animation historian, John Canemaker has been called animation's ambassador at large. Mike Lyons explains why.
Bob Swain interviews director Jim Cameron's reworking of Terminator 2 for Universal Studios theme park in Orlando, Terminator 2-3D .
John Canemaker relates how Otto Messmer, the creator of Felix the Cat, got into directing animated films for a Times Square landmark.
Raimund Krumme, one of Germany's top independent animators who is now working on a feature version of a children's classic, talks about Hollywood and the challenges posed by his new project.
Hans Fischerkoesen, Germany's leading producer of animated commercials, was ordered to make theatrical cartoons by the government in World War II, as William Moritz notes, he produced a trio of remarkable films which were not exactly Nazi propaganda.
Michael Goldman talks to Nickelodeon International's Lisa Judson about how the cable network that redefined animation for the 90s is expanding around the world.
In the early days of American television, anime gained a small foothold. Fred Ladd, who played a key role in this effort, recalls what happened.
The GiggleBone Gang is alive and well at Seattle-based Headbone Interactive. Judith Shane explains it all.
Belgium filmmaker Raoul Servais, who recently completed his first feature, talks with Philippe Moins about his films, international festivals, and the problems of making features, among other things. En franis (in French).
Belgium filmmaker Raoul Servais, who recently completed his first feature, talks with Philippe Moins about his films, international festivals, and the problems of making features, among other things.
Once of America's most prominent independent animators, Robert Breer continues to explore historical perspectives and experiment with new techniques. Jackie Leger looks at his career, past and present.