Computer animators Steve Williams, Webster Colcord and Doug Dooley reveal their top ten animated films.
Traditional animator Guionne Leroy describes her first digital experience. Currently working on a new clay short, she is shooting it with a digital camera and having a blast with the new opportunities.
Take a look at comics and their animation counterparts by Bill Plympton, Todd McFarlane and Christian Clark.
Michael Goldman probes the life and times of Marvel's exuberant creator of such titles as Spider Man, The X-Men, The Incredible Hulk and many more.
MainBrain's Tom Mason (Dinosaurs For Hire), Steve Rude (Nexus) and Randy and Jean-Marc Lofficier (The Garage) describe their experiences in the world of development.
Ben Edlund, the creator of The Tick, talks to Deborah Reber about the evolution of everyone's favorite blue superhero and what's next on his horizon.
Wendy Jackson talks with the renowned Czech surrealist filmmaker upon the release of his new film and receipt of a lifetime achievement award.
Professor Paul Driessen relates his experience at the animation school of Kassel University in Germany.
Amin Bhatia recounts a day in his life as an "electronic composer" for animated TV shows, explaining his tools and techniques.
Daniel Goldmark shows how Carl Stalling, who may have been the most skilled and clever composer of cartoon music Hollywood ever had, used music to create gags and help tell a story at the same time.
The father of Thai animation, Payut Ngaokrachang, tells John A. Lent how he got his start through a set of fortuitous circumstances.
Ann C. Phillipon talks with "quintessential independent American animator, George Griffin" about his life and art.
New York producer Michael Sporn's commitment to making films about human issues has lately led him to animated documentaries for which the children's market has been most receptive. Janet Benn reports.
Wendy Jackson details the career of Yvonne Andersen, founder of the Yellow Ball Workshop, and pioneer of teaching animation to children.