CARTOON NETWORK has promoted DEA CONNICK PEREZ to vice president of programming and production, a role in which she will direct all aspects of programming, including scheduling, acquisitions and program operations. She joined the Atlanta-based company in 1997 as program director, and was previously director of acquisitions at Nickelodeon/Nick at Nite/TV Land.
NELVANA LIMITED has promoted EMMANUÈLE PÉTRY to director of co-productions. She was previously director of the company's Paris office, where she will remain. Pétry has been responsible for securing co-production partners for Nelvana, including Neurones, Marathon and Ellipse. Also at Nelvana's Paris office, MARIE-LAURE MARCHAND has been promoted to director of international sales.
Animation historian John Canemaker is working on his eighth animationhistory book, titled "Walt Disney's Nine Old men and the Art of Animation"to be published by Hyperion in 2001. It will contain detailed biographicalportraits of Les Clark, Frank Thomas, Ollie Johnston, Marc Davis, WardKimball, Milt Kahl, John Lounsbery, Eric Larson and Wolfgang Reitherman.The book will also discuss the early Disney animators who influenced "theNine," such as Ub Iwerks, Norman Ferguson, Fred Moore, Ham Luske, Vladimir
A survey of people related to this issue's theme of television animation answering, "Whatten films would you want to have with if stranded on a desert island?
William Moritz discusses Richard Reeves' Linear Dreams and Bbel Neubauer's Moonlight and helps to put them in perspective. Includes Quicktime movies of both films.
The fourth installment of Barry Purves' production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive.
JON VEIN has been promoted from senior to executive vice president at FILM ROMAN, a role in which he will continue to oversee the company's reach into feature films, including "There Goes the Neighborhood," a live-action/animation film in development with Universal.
MIKE DARNELL has been promoted to executive vice president of specials and alternative programming for FOX BROADCASTING, where he will oversee new projects including the animated series "Family Guy," "The PJs" and "Futurama." Darnell joined the network in 1994 as director of specials.
SAM REGISTER has been promoted to vice president of CARTOON NETWORK ONLINE. He was previously creative director for the division, and has overseen the development and recent launch of the network's web site, www.cartoonnetwork.com. Prior to joining Cartoon Network in Atlanta, Register worked in San Francisco at (Colossal) Pictures as creative director and at Turner New Media, where, as creative director, he created the Cartoon Network World section of America Online.
JIM KEESHEN has joined FILM ROMAN as a director on the animated series, "Family Guy." This spring, his company Jim Keeshen Productions produced the show's pilot with creator Seth MacFarlane.
CRAIG ALLEN has been named general manager of JIM HENSON INTERACTIVE. He was formerly a senior producer at DISNEY INTERACTIVE.
JEFF WILLIAMS has joined ANIMATION WORLD NETWORK as webmaster, replacing Ged Bauer, who has left to pursue further education.
UCLAs School of Theater, Film and Television has appointed ROBERT ROSEN dean, replacing Gil Cates, who stepped down from the post last year but remains a member of the faculty. Rosen was promoted internally from the position of dean of the Film and Television School, a division of the Theater, Film and Television School (including the Animation Workshop). He has worked at UCLA since 1975. . . . Filmmaker JAMES CAMERON and effects master STAN WINSTON have resigned from the board of directors of the Venice, California-based effects studio they co-founded five years ago, DIGITAL DOMAIN.
ANNE SWEENEY has been named president of DISNEY/ABC CABLE NETWORKS, filling a position left vacant when Geraldine Laybourne left in June to form her own media company. Since 1996, Sweeney has been president of the Disney Channel, a title she will retain with the promotion, which will add several programming outlets under her wing: Lifetime, A&E, The History Channel and E! Entertainment Television, as well as ABCs Saturday morning line-up. Prior to Disney, Sweeney was at FX for three years and at Nickelodeon for 12. . . .
Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland.
Glenn Vilppu continues his world-class life drawing lessons. This month the focus is on Spherical Forms.
Cedric Littardi relates his experiences as he prepares to stand trial in France for his involvement with AnimeLand, a magazine focused on animation for adults.
Ron Merk's heated rebuttal to Tim Stocoak's article, "So You Want to Open an Animation Art Gallery!" published in the November 1997 issue of Animation World Magazine.
The second installment of Barry Purves' production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive.
Charles Solomon speaks with Frank Thomas and Ollie Johnston about Pierre Lambert's book Pinocchio, the film and, of course, Walt and his dreams.
Geraldine Laybourne, often described as one of the most powerful women inthe entertainment industry, has left her post as president of Disney/ABC Cable Networks to form her own diversified media company. With ABC asits first investor and client, the still unnamed company will focus oncreating branded content for the Internet and television, targeted mainlyat women and children. Prior to joining Disney/ABC in 1996, Laybourne waspresident of Nickelodeon/Nick at Nite, a company she joined in 1980 at its
A survey of animation and visual effects artists, asking, "What" ten animated films would you want to have with you if stranded on a desert island?