Just in time for National Poetry Month, the National Film Board of Canada and ARTE unveil their series of 12 short interactive stories at interactivehaiku.com.
Designed to surprise and move viewers, and to encourage reflection, Interactive Haiku will be released throughout the month of April, with four stories launching today. The project will also be featured at this year’s Tribeca Film Festival, as part of Tribeca Film Institute Interactive’s “Interactive Playground.”
In an era in which everything moves faster and faster, the NFB and ARTE asked creators to produce a different kind of short interactive work by drawing inspiration from the haiku form to create digital equivalents of haiku. The 12 winning proposals come from six different countries and were selected out of 162 submissions from 20 countries. The projects are accessible online or via tablets.
All of the interactive haiku follow 10 creative rules:
- The experience should be 60 seconds long.
- It should inspire us to see the world we live in differently.
- Only one interactive concept should be used.
- It should employ a full browser design with common NFB/Arte header.
- No navigation menu should be used.
- Project must include sound.
- It should be understandable and accessible to an international audience.
- Project creators must own or have released all rights.
- Must be computer, tablet, and mobile friendly (iOS, Android and Windows).
- And because there's always an exception to the rule: it must break one of the creative rules and explain why.
These projects provide an opportunity to explore a different side of a web culture saturated with memes, Vines, and other experiences designed to be consumed quickly.
“The NFB and ARTE sought interactive haiku built literally from images and sounds. Nothing like a challenge to release pent-up creativity,” said competition jury chair William Uricchio. “As the works demonstrate, insight is the real source of haiku power. Interactivity allows for a way to translate the classic technique of cutting or juxtaposing ideas, allowing us to explore the hidden life of images, sounds, and the moments that define us.”
The winning proposals were selected by an international jury comprised of the following members: Jury Chair William Uricchio, professor of comparative media studies and principal investigator at the MIT Open Documentary Lab and the MIT Game Lab; Caspar Sonnen, IDFA DocLab founder and curator; Héctor Ayuso, founder and programmer, OFFF Festival; David Carzon, assistant editor at Libération; Jonathan Harris, artist and computer engineer; Marie-Pier Gauthier, NFB Digital Studio head of production; Alexander Knetig, ARTE web commissioning editor.
The third original project to come out of a framework agreement between the NFB and ARTE, Interactive Haiku emerged from a global call for proposals to digital creators, challenging them to push the boundaries of interactive narration with very, very, brief experiences. The two institutions previously produced Bar Code and In Limbo, and have collaborated on Sound Ecology, Fort McMoney, and The Devil’s Toy Redux.
Check out the 12 winning proposals, below:
Cat’s Cradle, Montreal, Canada
Thibaut Duverneix, David Drury, Jean-Maxime Couillard, Gentilhomme
A game of strings, frequencies, stars, and distances. Elegantly explore the theory of everything.
Cyril Diagne / Lab212, Béatrice Lartigue / Lab212, Chapelier Fou
Pull the zipper and let it take you on a voyage inside yourself... and your screen.
Datum, Montreal, Canada
Ben Swinden, Hamish Lambert
Datum is a creature facing a series of choices—mountains to climb, rivers to cross. Help Datum grow... together.
Facing the Nameless, New York, USA
Ziv Schneider of Specular Projects
In the era of the cult of the virtual celebrity, it is impossible to die unidentified. Free the dead from their anonymity.
Pierre Jullian de la Fuente
The Internet absorbs and spits out your personal information. Take this test and find out what your friends really think of you.
The Seasonal Stroller, France
Théo Le Du Fuentes a.k.a. Cosmografik, Nicolas Martin, Barbara Govin, Arnaud Colinart / Ex Nihilo
It’s the season of rain, the harvest, love, and chilly weather. The only way to appreciate the landscape is by taking small steps.
Grand bruit, Montreal, Canada
Étienne Desprès, Marc Larivière, Martin Rodriguez, Simon Emmanuel Roux
In the village of Grand Bruit, each undulation of your voice leaves an imprint. What traces do you want to leave behind?
Yuichi Minamiguchi, Ayumi Yoshioka, Jun Nakawatari, Masahiko Otake
Stop moving, relax, and take some time to contemplate what appears on your screen. It is only then that you will be able to live your haiku.
Charles Ayat, Mathias Desloges, Colleen, Marie Blondiaux / Red Corner
We are so awash in images that we forget how magical they can be. Pick up the thread and explore their real nature.