Led by VFX supervisors Richard Little and Arundi Asregadoo, MPC Film delivers hero animation for the Upgraded Predator along with the Predator Dogs, a CG swamp environment, and more.
‘The Predator’ © 2018 Twentieth Century Fox Film Corporation. All images courtesy of MPC Film.
From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biology professor can prevent the end of the human race.
The MPC Film team was led by VFX supervisors Richard Little and Arundi Asregadoo, creating 500 shots for the latest Predator movie. The majority of the work required hero animation for the Upgraded Predator and additional work included the Predator Dogs, FX effects and a CG swamp environment.
MPC Film’s Character Lab department modeled, sculpted and textured the Upgrade and Predator Dogs to a high level of detail, allowing the director to have flexibility to view close ups, if needed. Technical Animation applied movement to the muscle system and added the flowing motion to the dreadlocks on all of the film’s hero alien characters, an integral part of the Predator’s aesthetic in the franchise.
MPC’s artists also created photorealistic Predator One and digital double mercenary characters for the film. Sixty-four other assets were created as well, ranging from stones and sticks for the swamp floor to grenades, a grenade launcher and bombs.
MPC’s artists also worked on the scene where audiences first meet the Upgrade’s dogs, which are sent out to hunt the Predator. The sequence was shot on a blue screen stage and on location. The Digital Environments team built a 360-degree baseball field matching the location shoot, from reference photography. Creating simple geometry and re-projecting the textures helped create a realistic environment.
Once the Upgrade tracks down the “fugitive” Predator, the fight begins. To create the scene MPC used a mixture of the live-action Predator intercut with a fully-CG Predator. The battle culminates with the Upgrade ripping the head and spine away from the body of the Fugitive. This shot was big challenge for the FX and Tech Animation teams, which also added green Predator blood into the mix to amplify the gore factor.
In the Hunt Scene, the film’s band of misfit heroes traps the Upgrade and set the ultimate hunter alight. This sequence was technically challenging for the Animation, Lighting and FX teams, which worked very closely to create a convincing Upgrade, appearing on fire.
For the final battle, MPC Film’s digital environments artists created a full CG swamp where the Upgrade’s ship crash-lands. The team was tasked with matching the set and creating a 360-degree CG set extension with FX water.
A big challenge was how to ensure the Upgraded Predator interacted realistically with the actors and set. The Animation, Tech Anim, and FX team worked hard to make the Upgraded Predator fit seamlessly into this environment.
Source: MPC Film
