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Digital Musings From the Editor:

We finished February with J. Paul Peszkos fascinating look at creating more compelling transitions in commercials and music videos with the latest cutting edge 3D software (supported by several illustrative images). Meanwhile, on the movie side, Alain Bielik explores how Menfond Electronic Art & Computer Design created more than 850 shots for ULTRAVIOLET (opening Friday from Sonys Screen Gems) a major coup for the Hong Kong-based vfx studio. And Tara DiLullo discusses how Animal Logic handled vfx chores for Foxs mermaid comedy, AQUAMARINE (also opening Friday). Speaking of movies, good luck to all the Oscar nominees in animation and VFX at Sundays Academy Awards.

Bill DesowitzEditor

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Bill Desowitz, former editor of VFXWorld, is currently the Crafts Editor of IndieWire.