Leading post-production boutique Post Logic Studios has hired noted feature film colorist Sheri Eisenberg for its Hollywood-based Digital Intermediate team. Eisenberg, who is proficient on Post Logics Grass Valley Spirit 4K, da Vinci 2K and Pogle, previously worked at Laser Pacific Media Corp.
Over the course of her career, she has worked on contemporary and classic features from Paramount, Fox, DreamWorks, Sony, New Line Cinema, Universal, Miramax and MGM Studios. Some of her final color titles for home video release include OLD SCHOOL, 3: THE DALE EARNHART STORY, COURAGE UNDER FIRE, BEVERLY HILLS COP, MEDIUM COOL, HAROLD AND MAUDE, TO CATCH A THIEF, THE TALENTED MR. RIPLEY and BREAKFAST AT TIFFANYS. Among the filmmakers and cinematographers with whom she has worked are Anthony Minghella, Martin Brest, Walter Murch, Thomas Carter, Vilmos Zsigmond, ASC, Roger Deakins, ASC, BSC, Haskell Wexler, ASC and Theo van de Sande, ASC.
I am very excited to join this extremely talented group, said Eisenberg. Post Logic is an important player in the digital intermediate realm and I am looking forward to being a part of the creative team. I believe that the collaboration between colorists and filmmakers will help to shape the at form.
Post Logic also named Darby Walker as commercial producer for its Hollywood facility. Well known in the commercial and music video worlds, Walker began her extensive career at Propaganda and Editel, filling roles in sales and marketing, as well as production and post production. Most recently, she was executive producer of commercials and music videos at Riot! Santa Monica.
While at Post Logic, Walker has worked with such high profile directors as Kinka Usher, Jim Gartner, Jim Manera, Danny Ducovny and Blair Hayes on commercial campaigns for Verizon, Chase Manhattan Bank, Lincoln Mercury, McDonalds, and Corona, as well as the Dwight Yoakam music video BLAME THE VAIN.
With state-of-the-art facilities in Hollywood and New York, Post Logic Studios (www.postlogic.com) has distinguished itself as a leader in digital intermediate and feature film restoration, and continues to expand into new and emerging arenas within the post-production realm. The company provides unmatched digital intermediate, digital mastering, post-production, visual effects and audio postproduction services to feature film, television and commercial clients from its flagship Hollywood facility and Manhattan-based satellite, Post Logic Studios N.Y.C.
Bill Desowitz, former editor of VFXWorld, is currently the Crafts Editor of IndieWire.
