Category: Motion Graphics
‘The Handmaid’s Tale’ wins award for Outstanding Production Design; Netflix series ‘Strangers Things’ awarded for Outstanding Main Title Design.
The essence of storytelling is directing the attention of another. So what happens when the other has the power to direct his own attention?
Ultimate international showcase for digital motion art returns to downtown Denver, CO with seven hours of digital animation and artworks presented simultaneously.
Available starting in September, Quadro eGPU solutions will now allow interactive rendering, VR, AI development on PC Notebooks, and will be available through qualified partners such as Bizon, One Stop Systems/Magma and Sonnet with more to come.
The new release includes features and enhancements that streamline motion graphics, VFX and VR content creation workflows and sets a path for the future of Cinema 4D.
The Trunk director’s beautifully graded short has the look of a well-watched VHS tape, which, along with Barnaby Templer’s (Fonic) sound design and Sebastian Duh’s score further ground the audience in the 1980s.
Representing more than 600 academic facilities located in over 80 countries worldwide, worldwide, Autodesk-sponsored student competition received 8,725 digital projects created by 2,752 students.
Hornet director’s signature stop-motion papercraft returns for Amazon’s Prime Day 2017 with characters new and old.
New features include an integrated Shotgun user interface, perpetual license keys, command line access to Microsoft Azure during the beta and Clarisse renderer support.
The new global identity unites U.K. brands Axis Animation, Flaunt Productions and axisVFX under one banner, accompanies company growth and is being celebrated with a limited-edition art book showing the behind-the-scenes work that goes into ‘delivering the unexpected.’
The Chicago-based design house rose to the challenge of creating both an animated, custom typeface and a bold main title sequence logo for the return of Peter Quill, Rocket, Baby Groot, Gamora and Drax the Destroyer in 'Guardians of the Galaxy Vol. 2.'
The former executive producer of TV & streaming at mOcean brings extensive experience in marketing, brand strategy, design and TV and film production to his new role spearheading business development at Laundry.
Sixty40 continues to attract globally celebrated directors, adding Brazilian mixed media director Boca, French animation director Skull and design storyteller Kyra Bartley to their talent pool.
Trollbäck+Company‘s striking show-opening animation revealed the first new AICP logo in 45 years at The Museum of Modern Art (MoMA).
Fast growing Swedish VFX and CGI company Goodbye Kansas has replaced previous brands Fido, Bläck, Imagination Studios and Pixel Grinder with Goodbye Kansas Studios, an integrated company consisting of 150 artists and producers.
The LA-based creative agency used PipelineFX’s intelligent render farm manager to create the logo animation shown in films like Oscar-winner ‘Manchester by the Sea.’
Joshua Cox and the Bent Design Lab team evoke imaginative landscapes in CG shorts “Clouds,” “Cards,” and “Circus,” as part of a web and print campaign for Cramer Krasselt and ArcBest.
Production company 1stAveMachine combines resources with VR community and platform Kaleidoscope to focus on producing branded VR content.
SVA ushers in a new wave of animators, artists and filmmakers with Hollywood showcase and alumni networking opportunities.
Deadline for entries in Germany’s annual 3D Animation & Still, Visual Effects, Visualization and Design competition extended to Monday, June 19.
The Microsoft Azure Batch Rendering Platform is built on the Azure Batch platform and allows users to submit render jobs through Maya, 3ds Max and Arnold, and the Azure SDK allows customization and open-source plugins to integrate directly with Maya and 3ds Max.
CSU Animation & Visual Effects present the 14th Anniversary of the Australian International Animation Festival, running Friday, May 12 through Sunday, May 14, 2017.