ANIMATION WORLD MAGAZINE - ISSUE 5.05 - AUGUST 2000

Let's Sketch on Location: The Thumbnail Sketch
(continued from page 2)

Now, in these thumbnail sketches, I have employed many of the elements we will be discussing in the following chapters. A strong component in the drawings is the light and dark pattern. In fact, some of these drawings were done with brush and wash where the only thing drawn was the pattern of the darks. Look at the variety of materials used: pencil, pen, as well as watercolor.

Take Note
Sometimes to aid the memory, it is useful to write information about the colors, textures and materials that you see. This page is a general visual exploration of a location which includes drawings of detail, compositional possibilities, and notations. These drawings were used while painting in the studio months later.

The camera, of course, becomes a great aid in recording detail. Yet drawing from the subject itself is still the best way to get the sense of what you are looking at.

View more examples.

Glenn Vilppu teaches figure drawing at the American Animation Institute, the Masters program of the UCLA Animation Dept., Walt Disney Feature Animation and Warner Bros. Feature Animation, and has been sent to teach artists at Disney TV studios in Japan, Canada and the Philippines. Vilppu has also worked in the animation industry for 18 years as a layout, storyboard and presentation artist. His drawing manual and video tapes are being used worldwide as course materials for animation students.

Glenn Vilppu first wrote for Animation World Magazine in the June 1997 issue, "Never Underestimate the Power of Life Drawing." His drawing manuals and video tapes may be purchased in the Animation World Store.

 

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