In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guests is the legendary American indie animator and writer, George Griffin.
Visual effects supervisor Paul Linden helps orchestrate a successful marriage between stunts, special effects and visual effects for the new Lara Croft film.
Twelve years in the making, epic fantasy adventure written, produced and directed by animators Xuan Liang and Chun Zhang is hailed as the forefront of the burgeoning Chinese animation industry.
Fast-paced CG-animated comedy adventure from Rocket Pictures and Mikros Image takes audiences on a tour of London to solve the mystery of the disappearing Gnomes.
AWN’s resident “Miscweant” has a dog day afternoon with the voice, writing and directing talent behind the new stop-motion animated feature from Wes Anderson.
Andy Gent’s puppet fabrication crew handcrafts more than 1,100 animatable puppets and some 2,000 background characters to populate Wes Anderson’s ‘Isle of Dogs.’
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Daniela Sherer talks about her short film, 'The Shirley Temple' (2013)
Overall VFX supervisor Peter Chiang talks previs, techvis, drones and Chinese sound stages on Steven DeKnight’s sequel to Guillermo del Toro’s 2013 sci-adventure romp.
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guests is Sawoko Kabuki, whose work is being screened at the 2018 GLAS Animation festival this week.
GLAS Animation director Jeanette Bonds discusses the evolution of the fledgling festival as it enters its third edition with a powerhouse lineup including special guests David OReilly, Phil Lord and Chris Miller, Ruth Lingford, Réka Bucsi, Boris Labbé and more.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: In advance of her appearance at GLAS 2018, Sawako Kabuki talks about her provocative student film, 'Anal Juice' (2013)
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guest is American indie filmmaker Michael Langan ('Doxology', 'Chronos').
Niki Lindroth von Bahr’s stop-motion animated short ‘The Burden’ fuses Gene Kelly and Finnish filmmaker Aki Kaurismaki into a proletariat existential musical about an assortment of loners, losers and minimum wage earners working dead-end jobs in a dead-end world.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Michael Langan discusses the making of his now classic student film, 'Doxology' (2007)
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guest is the renowned animation historian, writer, curator, Jerry Beck.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Thomas Renolder talks about the creation of his hilarious, inspiring and newly online released avant-garde work, 'Sunny Afternoon' (2012)
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guests are the Oscar nominated duo, Max Porter and Ru Kuwahata ('Negative Space').
The legendary animator finds his game and garners an Oscar nomination alongside legendary hoopster Kobe Bryant with their animated ‘love letter’ short film tribute to the sport.
Weta’s four-time Oscar-winning senior VFX supervisor talks about the complexities of creating believable digital ape performances in the final film in Fox’s ‘Apes’ trilogy reboot, director Matt Reeves’ futuristic action adventure ‘War for the Planet of the Apes.’
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Nina Gantz talks about the making of her pleasantly disturbing and disturbingly pleasant student film, 'Edmond'
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guest U.S. indie animator, John Schnall, answers some brand spanking new questions! It's exciting!
The first solo effort from Cartoon Saloon director Nora Twomey makes Oscar waves.
DNeg VFX supervisor Paul Lambert details the creation of futuristic Los Angeles cityscapes, the holographic Joi, and the visuals for the final act of director Denis Villeneuve’s follow-up to the 1982 sci-fi film noir classic by Ridley Scott.
On the road to the 90th Oscars, the studio’s most senior talent reflects on the storytelling and production challenges of bringing ‘Coco’ to audiences, as well as new efforts to increase Pixar’s workplace and senior-level creative diversity.
