Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Daniela Sherer talks about her short film, 'The Shirley Temple' (2013)
Overall VFX supervisor Peter Chiang talks previs, techvis, drones and Chinese sound stages on Steven DeKnight’s sequel to Guillermo del Toro’s 2013 sci-adventure romp.
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guests is Sawoko Kabuki, whose work is being screened at the 2018 GLAS Animation festival this week.
GLAS Animation director Jeanette Bonds discusses the evolution of the fledgling festival as it enters its third edition with a powerhouse lineup including special guests David OReilly, Phil Lord and Chris Miller, Ruth Lingford, Réka Bucsi, Boris Labbé and more.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: In advance of her appearance at GLAS 2018, Sawako Kabuki talks about her provocative student film, 'Anal Juice' (2013)
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guest is American indie filmmaker Michael Langan ('Doxology', 'Chronos').
Niki Lindroth von Bahr’s stop-motion animated short ‘The Burden’ fuses Gene Kelly and Finnish filmmaker Aki Kaurismaki into a proletariat existential musical about an assortment of loners, losers and minimum wage earners working dead-end jobs in a dead-end world.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Michael Langan discusses the making of his now classic student film, 'Doxology' (2007)
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guest is the renowned animation historian, writer, curator, Jerry Beck.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Thomas Renolder talks about the creation of his hilarious, inspiring and newly online released avant-garde work, 'Sunny Afternoon' (2012)
The overall VFX supervisor riffs on witness cameras, bleak L.A. cityscapes and the super-secret digital recreation of Rachael in Denis Villeneuve’s mesmerizing ‘Blade Runner’ sequel.
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guests are the Oscar nominated duo, Max Porter and Ru Kuwahata ('Negative Space').
The legendary animator finds his game and garners an Oscar nomination alongside legendary hoopster Kobe Bryant with their animated ‘love letter’ short film tribute to the sport.
Weta’s four-time Oscar-winning senior VFX supervisor talks about the complexities of creating believable digital ape performances in the final film in Fox’s ‘Apes’ trilogy reboot, director Matt Reeves’ futuristic action adventure ‘War for the Planet of the Apes.’
Every Monday or so, Chris Robinson asks an animator how they made a particular film. This week: Nina Gantz talks about the making of her pleasantly disturbing and disturbingly pleasant student film, 'Edmond'
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guest U.S. indie animator, John Schnall, answers some brand spanking new questions! It's exciting!
The first solo effort from Cartoon Saloon director Nora Twomey makes Oscar waves.
DNeg VFX supervisor Paul Lambert details the creation of futuristic Los Angeles cityscapes, the holographic Joi, and the visuals for the final act of director Denis Villeneuve’s follow-up to the 1982 sci-fi film noir classic by Ridley Scott.
On the road to the 90th Oscars, the studio’s most senior talent reflects on the storytelling and production challenges of bringing ‘Coco’ to audiences, as well as new efforts to increase Pixar’s workplace and senior-level creative diversity.
Imbuing the Oscar-nominated movie with a sense of nostalgia, animators and VFX artists drew on cartoon tradition while experimenting and pushing the cutting edge of technology to get the right look.
Every Monday or so, Chris Robinson asks an animator how they made a particular film. Today, Peter Millard answers some brand new Brainbox questions whilst sharing intimate words, thoughts and feelings about his film, 'Six God Alphabet' (2017).
Animation directors Will Beecher and Merlin Crossingham detail their journey transporting Dug, Hobnob and Goona from the Stone Age to the football stadium.
Get a peek at the winners onstage and backstage at this year’s grand Visual Effects Society bash.
Oscar-nominated stop-motion animated short employs a total of 20 sets, 14 puppets, and roughly 1,000 props and costumes, all constructed within a three-month timespan.
In which Chris Robinson asks animation professionals profoundly inane questions about the inner workings of their existence. Today's guest is 'Over the Garden Wall' creator, Patrick McHale.
