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Rhinoceros Visual Effects & Design has added CG director/project leader David Barosin to its roster. He was a major factor in creating character animations for ad campaigns such as J. Walter Thompson's Orkin Man, "Primetheus" the Primeco alien for The Richards Group, the Statue of Liberty for Oldsmobile and Leo Burnett, and the "Virtual Lady" for Intel. "I really like the team that's here at Rhinoceros," Barosin said. "These are great people, many of whom I've worked with before.

hey!, a New York multi-disciplinary design and production studio, has wrapped on "Nick Arithmetic," a 40-second global network image spot for Nick's international markets. hey! took still photographs of kids in various poses. The images were composited, along with graphic elements built in Illustrator and Photoshop, with animated backgrounds that string together the entire spot.

Wild Brain has picked AniManagement to represent the animation house in the U.S. The agency will work in Wild Brain's interest to find syndication deals for the company's film, television and Internet content. AniManagement's Aaron Berger and Rebecca Poole will handle Wild Brain's film and TV productions with James Strader handling the Internet content. Poole will also work with Wild Brain to increase their production slate.

REALVIZ announced that the new version of their award-winning camera tracking software, MatchMover, is now shipping. The software is used to track the motion of a camera accurately so that the 3D elements can be seamlessly composited into place. The new version includes a graph editor that allows the user to edit camera parameters as curves on a graph easily. In addition, the new status-tracking feature also allows for the tracking and analyzing of project progress and results.

HOW THE GRINCH STOLE CHRISTMAS snowballed all the newcomers in its fourth weekend at the U.S. box office. The Who-ville hijinks, with primary visual effects by Digital Domain, shoveled in another US$18.65 million, piling its green up to the tune of $195.6 million. Therefore, the debut of VERTICAL LIMIT landed in second. The K2 rescue flick, with primary visual effects by Centropolis Effects, dug up $15.51 million. PROOF OF LIFE's premiere had to settle for a lackluster third place finish. The kidnapping love triangle, with primary visual effects by Cinesite, garnered $10.21 million.