The power of the video tape is just beginning to be realized in Kenya. Justus Olielo tells us how it is being done.
All AWN Content
It is no secret that Japan consumes a massive amount of animated entertainment, but just how big is the home video market? Fred Patten puts it all in perspective.
To buy DVD or not to buy DVD...is this your holiday question? Russell Bekins offers some expert advice.
With the direct-to-home video release of Babes in Toyland, Toby Bluth shares his memories with us of growing up in a household that included brother Don...
Deborah Reber recently sat down with Christie's Animation Art Consultant Pierre Lambert. Over a fabulous French meal, Pierre discusses determining the market value for exceptional animation art pieces.
Judith Cockman reviews the good, the bad and the brilliant of four new computer animation home video titles released by Sony Music Video.
Adam Snyder shops us around the business floor at one of the year's largest markets, MIPCOM in Cannes, France.
David Crane describes what the Los Angeles chapter of the International Animated Film Association, ASIFA-Hollywood, has to offer animation enthusiasts.
Tim Stocoak, a disgruntled ex-animation art gallery employee, offers his editorial regarding the world of selling animation art. Buyer beware...
At last, Anastasia is here with great results. Harvey Deneroff reviews Fox Family Entertainment's first animated feature.
Wendy Jackson reviews the newest releases on home video and offers insight into the growing quality and depth of this market.
MIPCOM consultant Frederique Doumic answers her most frequently asked questions regarding the merging of the gaming and animation industries.
Our coverage of the fifth annual festival in Rio Di Janiero, Brazil includes: a review by Edmundo Barrieros, "Anima Mundi In Brief," in both Portuguese and English, an essay, "On the Winning Film: Dada," by Lea Zagury and Aida Queiros which discusses Piet Kroon's Dada, and a Quicktime movie of the award-winning film.
Robby London discusses the importance of licensing and merchandising in regards to production with Heather Kenyon.
The first Student Animation Festival of Ottawa is reviewed by Joan Ashworth of the Royal College of Art. Will this become another Ottawa tradition?
Why all the studio stores? Control, control, control. Teresa Klein investigates the many profitable facets of studio stores.
Thomas Basgier reports on the second annual Fantoche Festival in Baden, Switzerland, a festival which prides itself on screening the best in experimental and alternative animation.
Yvette Burrows describes the Museum's collection and many of the intriguing animation events and training courses being held at London's world-famous MOMI.
Karen Raugust takes us to Japan where animated merchandise can produce huge profits in a very competitive marketplace.
"Yehi hai right choice, Baby. Un Huh'!" sing two young rag-pickers as they wade through a heap of rubbish, gathering scraps of metal, paper and old bottles to sell in New Delhi, the bustling capital of India. Hips swinging and voices raised, the children seem to be caught in a spirited bubble which, for an instant, was lifting them above the dirt and filth on which they danced. Listening to these children sing out with spontaneous, joyous abandon makes one smile and then wonder at the incongruity of it all: for they are, in fact, warbling the television...