When Don Bluth suddenly left Disney in the late 1970s to strike out on his own, it led to a chain of events that sparked today's renaissance in feature animation. Jerry Beck provides a brief memoir of the days when Bluth appeared to be animation's white knight and could do no wrong.
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R.O. Blechman, who has long charmed us with his films and illustrations, takes a humorous and often sardonic look at the resurgence of all things Disney and what it all means.
The Brothers Quay, those enigmatic masters of stop motion, have now come forth with The Institute Benjamenta, their first "live-action" feature. Suzanne Buchan takes a look at the film and their career.
Dave Borthwick and bolexbrothers studios represent the best of Bristol's thriving animation underground. Their productions include the feature-length Secret Adventures of Tom Thumb, which is a far cry from the usual version of the Grimm fairy tale.
It takes unique talent, persistence, and lots of creative confidence to be an independent filmmaker in today's animation global market, especially in the feature film arena.
I had a chance to catch up with some of the best for this month's island retreat--Bruno Bozetto (Allegro Non Troppo), Richard Williams (The Thief and the Cobbler [Arabian Knight]), R.O. Blechman (L'Histoire du Soldat) and Bill Plympton (The Tune).
Bruno Bozetto's top 10 picks if stranded on a desert island... "Personally, if I were stranded on a desert island I prefer taking Sharon Stone rather than 10...
Donna La Breque interviews Activision producer Cecilia Barajas about the company's new hybrid animated-and-live action offering, Zork Nemesis--the latest in the ongoing Zork saga.
The long and varied career of Lotte Reiniger, best known for her exquisite Adventures of Prince Achmed, one of the first feature-length animated films ever made, is detailed by William Moritz
Bill Plympton, the master of the outrageous, is in the midst of making his newest feature, I Married a Strange Person., in which, as Mark Segall reports, the noted animator puts us through some strange changes.
The recent Siberian winter in Winnipeg may have been marrow-freezing, eyeball-aching weather, but it was also perfect animation weather. Gene Walz provides a rundown of what's been happening with the likes of Neil McInnes, Cordell Barker and Brad Caslor, among others.
Although women did not play the most prominent roles in the policy making bodies, they were particularly visible in all kinds of artistic activities blossoming in the years after the Revolution...
Polish animator Aleksandra Korejwo muses about life, animation, music, Disney and her salt of many colors.
Before being adapted to the screen, Roald Dahl's children's book, Jamesand the Giant Peach captured the imagination of several generations of readers since it was first published in 1961.
Over the last few years, Channel 4 has helped put a new face on British animation. Jill McGreal reports how women will lead the broadcaster into series television using the irreverent talents of Candy Guard and Sarah Ann Kennedy.
Independent animator Rose Bond is known for her use of mythology to explore the problems affecting humanity today. Rita Street explores her philosophy, methodology and her new foray into computer-assisted animation.
The United Nations is using animation as a means of social change in Asia and Africa. Neill McKee and Christian Clark report from the field.
The Cartoon Network's Linda Simensky offers some personal observations on the ways women make it in today's animation industry.
Bill Moritz chronicles the work of pioneer experimental animator Mary Ellen Bute, whose films gained an unexpected acceptance by both Hollywood and the public.
Our intrepid Desert Island maven queries some women in animation about their top 10 picks for an island getaway.
Cartoons on the Bay--The International Festival of Animation: Films, TV Series and Fairy Tales is the English name of an Italian international festival held April 15-18 in Amalfi, Italy...
Cartoons on the Bay il titolo inglese di un festival italianissimo, ma tutto orientato a un grande mercato planetario: quello del disegno animato televisivo di qualit novitstrutturale destinata a scrivere (come del resto gista facendo) un capitolo totalmente nuovo della storia del cinema d'animazione...