Disney may not have an animated film to put up against DreamWorks Prince of Egypt, but theyve come up with an ingenious way of profiting from the November release of A Bugs Life. The company announced that starting December 18th, a completely new set of animated bloopers will accompany the closing credits of the film.
Disney/Pixars A Bugs Life led the way at the box office for a second straight weekend beating out Universals shot-by-shot remake of Alfred Hitchcocks classic Psycho. The computer-animated film dropped a respectable 48%, earning $17.4M for a total cume of $68.7M. In fourth place, Paramounts The Rugrats Movie had a heavier drop of 64% from Thanksgiving weekend adding $7.6M for a grand total of $67.5M in 17 days.
Disney/Pixar's "A Bug's Life" dominated the box office this weekend with a staggering number one debut of an estimated $33.3M over the Friday-to-Sunday period and a record-setting $45.7M over the five-day holiday frame. If the estimates hold, the computer-generated bug picture will become the largest Thanksgiving opening in history topping Disney's 1996 release "101 Dalmatians" which debuted with $33.5M and $45.1M over the comparable periods.
Animated films played a very big role at this weekend's box office whichsaw strong performances from three animated features. After eight weeks,"ANTZ" remained in the Top 10 at No. 9 pulling in $2.3 million. "A Bug'sLife" was impressive in its one-theater debut in Hollywood, California'shistoric El Capitan theater grossing an amazing $291,000 during theweekend. This opening set house records at the El Capitan according tosources at Buena Vista. The biggest story this weekend though was
Here is a look at some of the various marketing items related to Disney/Pixars massive advertising campaign for A Bugs Life. The movie web site, www.abugslife.com, launched last week complete with Shockwave and QTVR games, behind-the-scenes information on the making of the film, sweepstakes, and the ability to purchase tickets for theaters nationwide.
After six weeks of US release, Dreamworks/PDIs computer-animated bug pic Antz saw a rare 20% boost in box office business this weekend placing fifth. Despite losing 300 screens and new competition for the family crowd from the re-release of The Wizard of Oz, the film grossed an estimated $5.4 million in 2,604 theaters bringing the films cume to $74.8 million.
The 65th Milan International Film, TV and Multimedia Market (MIFED) kicks off this week with a strong focus on animation, in collaboration with the European MEDIA II program. The six-day event, November 1 -6, will include a designated animation market and even an Animation Day on November 3.
Paris-headquartered motion-capture animation company, Medialab and Canadian animation studio, Ciné-Groupe, a subsidiary of Lions Gate Entertainment, have agreed to a four-year co-production deal. The two companies plan to co-produce two computer-animated theatrical films and two TV series. The first project, starting production in December, will be Pinocchio 3001, a futuristic rendition of the classic tale.
DreamWorks Pictures and PDI's computer animated feature film, "Antz" grossed just over $8 million this past week, bringing its totals to date to just under $62 million. The third place finish represented a drop of 27% from last week, but was less than a million dollars behind first place finisher "Pleasantville". The film is currently running in 2929 theatres nationwide. If its current pace continues, by next week, the film will surpass Paramount's "Beavis and Butthead" to become the top U.S. grossing non-Disney animated film.
DreamWorks Pictures and PDI's computer animated feature film, "Antz" grossed $11.2 million last weekend, dropping to third place in the box office charts, following its first two weeks in the number one spot. The total cumulative box office gross to date is $51.5 million, and the film is currently running in 2903 theaters nationwide. "Antz" will make its international debut starting in New Zealand and Australia on October 29.
Animation historian Marcin Gizycki has begun production on a 30-minute documentary film about animator Jan Lenica, a Poland native whose credits include animated shorts such as Janko the Musician (1960), Labyrinth (1962), and several films with Walerian Borowczyk. After teaching in Kassel and Berlin, Germany for the past 20 years (and stints working in France and the United States), Lenica has returned to Poland where he is currently making a 30-minute film called Wyspa R.O. (The R.O. Island), with Studio Miniatur Filmowych.
DreamWorks Pictures and Pacific Data Images' computer-animated feature film, "Antz" opens in U.S. theaters on Friday, October 2. The film's 78 minutes of animation (112,320 frames) took two and a half years and a staff of over 200 people to produce. Character voices featured in the film include Woody Allen, Dan Akroyd, Danny Glover, Gene Hackman, Jennifer Lopez, Sharon Stone, Sylvester Stallone and Christopher Walken.
Vancouver, Canada-based Mainframe Entertainment will produce two feature-length, stereoscopic, 3D computer-animated films for IMAX large-format cinemas. The announcement comes exactly two years after the two companies announced a production deal [AF 8/21/96] to produce two 3D CG-animated ride-films based on Mainframes TV series, ReBoot. The first one, ReBoot, the Ride opened in IMAX ride theaters last year and the second, Journey Into Chaos will open next month.
Recycling is alive and well in Hollywood. An astounding number of animation properties are being optioned for adaptation as live-action films, such as "Inspector Gadget" and "Sailor Moon." This week, two more such deals have been announced. "How the Grinch Stole Christmas," a book by Dr. Seuss and then an animated feature directed by Chuck Jones at MGM, will have its next reincarnation as a live-action feature starring Jim Carrey. Universal, which already owns the theme park rights to Dr. Seuss properties, and Ron Howard's Imagine Films paid Dr. Seuss' widow Audrey Geisel nearly U.S.
Animator Mark Osborne is wrapping up production on a new short film. Titled More, the film is believed to be the first stop-motion animated large-format film. It is being shot on 65mm film that will be printed on 70mm for projection in large-format cinemas such as the IMAX chains. The film, a co-production of Swell Productions and Bad Clams Productions, is being funded by a private investor, was shown in trailer form at last weeks International Space Theater Consortium conference in Australia.