Category: Education and Training

On October 29 and 30 in Ft. Lauderdale, Florida, Wayne Gilbert, Kyle Clark,and Mike Ford, who work as animators for feature film projects atIndustrial Light + Magic, will be giving seminars on classical and computeranimation principles. The three animators have started their owncorporation, Animation Foundation and Anamie, providing consulting,training and seminars for corporate and academic clients. This event iscoordinated by The Florida Center for Electronic Communication, The Fort

Craig Miller and Marv Wolfman, who created and produced POCKET DRAGON ADVENTURES, are offering THINKING VISUALLY: HOW TO WRITE FOR TV ANIMATION, a single session class at The Learning Annex in Los Angeles. Topics to be covered include what's required to break in; what extra things you need to think of when writing animation; writing the premise, outline, and script; writing with your intended viewers in mind; working with story editors; and humor and action, how far can you go. Handouts will include a sample story premise, outline, and script.

Ed Hooks will teach a one-day acting for animators class in San Franciscoon September 25, from 10 am-5 pm. The class will include thinking-emotionconnections, thinking-physical action connections, character analysis,basic acting principles (the scene as a negotiation) and improvisations.Also, there will be discussion of shadow movement, psychological gesture,the "look" of memory, eye contact between characters, the importance ofempathy and how to achieve it. Clips from Charlie Chaplin movies will be

Master animator Barry Purves will be teaching Acting for Animation at the Museum of the Moving Image in London. The class takes place from Saturday, July 10 to Sunday, July 11, from 10:30 am to 4:30 pm both days. Barry Purves is one of the world's leading stop-motion puppet animators. He began his career at Cosgrove Hall Productions working on such programs as THE WIND IN THE WILLOWS. Since then Barry has gone on to write, direct, and animate several award-winning films: NEXT (1989), SCREEN PLAY (1992), RIGOLETTO (1993), and GILBERT & SULLIVAN (1998).

Arts Unlimited, a 5-week summer program for children in grades 4-8, has added three animation classes to its arts curriculum. The classes will be taught by Wendy Jackson and will introduce animation techniques such as zoetropes, flipbooks, clay, cut-outs, drawing on film, and pixilation. Jackson will also teach a classin giant puppetry. Additional program offerings include ceramics,calligraphy, computer art, dance, mixed media, music, publishing, and

Masters of Visual Effects, LLC has released the first two series of Mastersof Visual Effects training videos. The series' offer an overview of visualeffect that artists, producers, and filmmakers, whether novice orprofessional, will benefit from. The first series, entitled "Introductionto Visual Effects," covers introductory concepts in visual effects such asvisual effects cues, film and video as digital images, commercial postproduction basics, pre-visualization and offline editing. The second

George Lucas has donated $1.5 million, while Steven Spielberg has donated $500,000 to the USC School of Cinema-Television to help fund the new, yet-to-be-built Robert Zemeckis Center for Digital Arts. The Lucas money will help build a sound stage which will be named for Akira Kurosawa.