The United States Army will give the University of Southern California $45million over the next five years to establish a research center to developadvanced military simulations. The center will use film students and videogame designers to create realistic training simulations using virtualreality technology and artificial intelligence. This effort is part of theArmy's plan to create higher quality training using more realistic war-typeexercises.
Category: Education and Training
Ed Hooks will teach a one-day acting for animators class in San Franciscoon September 25, from 10 am-5 pm. The class will include thinking-emotionconnections, thinking-physical action connections, character analysis,basic acting principles (the scene as a negotiation) and improvisations.Also, there will be discussion of shadow movement, psychological gesture,the "look" of memory, eye contact between characters, the importance ofempathy and how to achieve it. Clips from Charlie Chaplin movies will be
Hollywood, California-based Gnomon, a school for visual effects, hasexpanded their offerings of short-format classes. Designed both for currentworking professionals and individuals wanting to get into digital effectsand animation, these seminars and workshops are between a hour-and-a-halfand six hours long. Courses include Intro to 3D Concepts, Color Theory forMovies, Integrating 2D and 3D CGI, Maya 2.0: Dynamics, Maya 2.0: Fur,Resume Workshop, Interviewing and Negotiating Skills, and Math for
Master animator Barry Purves will be teaching Acting for Animation at the Museum of the Moving Image in London. The class takes place from Saturday, July 10 to Sunday, July 11, from 10:30 am to 4:30 pm both days. Barry Purves is one of the world's leading stop-motion puppet animators. He began his career at Cosgrove Hall Productions working on such programs as THE WIND IN THE WILLOWS. Since then Barry has gone on to write, direct, and animate several award-winning films: NEXT (1989), SCREEN PLAY (1992), RIGOLETTO (1993), and GILBERT & SULLIVAN (1998).
The School of Visual Arts in New York City will offer a course for credit on "Japanese Animation: History and Style" as part of its Continuing Education program. Instructor Brian Camp, author of several articles about anime, will focus on the recent history and stylistic development of anime, from the pioneering work of Osamu Tezuka in the '60s, to the epic space sagas of the '70s, to the visionary achievements of a host of innovative animators in the '80s and '90s.
Arts Unlimited, a 5-week summer program for children in grades 4-8, has added three animation classes to its arts curriculum. The classes will be taught by Wendy Jackson and will introduce animation techniques such as zoetropes, flipbooks, clay, cut-outs, drawing on film, and pixilation. Jackson will also teach a classin giant puppetry. Additional program offerings include ceramics,calligraphy, computer art, dance, mixed media, music, publishing, and
Yale University's Child Study Center, a division of Yale Medical School,has chosen New York's School of Visual Arts' Animation Department to createan animated film for use in autism research studies. The animation willtest the brain systems involved in social understanding, allowinginvestigators to test specific hypotheses about autism. The animatedexperiments will portray human interaction with geometric shapes. ReevesLehmann, Chair of the School's Film Video and Animation Department, is the
Masters of Visual Effects, LLC has released the first two series of Mastersof Visual Effects training videos. The series' offer an overview of visualeffect that artists, producers, and filmmakers, whether novice orprofessional, will benefit from. The first series, entitled "Introductionto Visual Effects," covers introductory concepts in visual effects such asvisual effects cues, film and video as digital images, commercial postproduction basics, pre-visualization and offline editing. The second
International Fine Arts College, founded in 1965, has received approvalfrom the Florida State Board of Independent Colleges and Universities tooffer the Master of Fine Arts in Computer Animation. Classes will beginJanuary 2000. The Master of Fine Arts Degree in Computer Animation is astudio based, sixty credit program focusing on animation utilizing theSilicon Graphics platform with Alias|Wavefront Maya software. The AnimationStudio boasts 63 SGI O2s running the latest versions of Alias|Wavefront;
George Lucas has donated $1.5 million, while Steven Spielberg has donated $500,000 to the USC School of Cinema-Television to help fund the new, yet-to-be-built Robert Zemeckis Center for Digital Arts. The Lucas money will help build a sound stage which will be named for Akira Kurosawa.
Famed animation director and educator Richard Williams will present his acclaimed Animation Masterclass at the British Academy of Film and Television Arts in London, England, May 21st-23rd. This intensive three-day workshop teaches the solid principles behind classical animation that apply both to traditional and computer animators. Triple Oscar winner Richard Williams has won over 250 international awards including numerous Hollywood and British Academy Awards. His films include Who Framed Roger Rabbit, The Christmas Carol, and the original Thief and the Cobbler animated feature.
Canadian animation channel Teletoon announced the winners of its first Animation Scholarship Competition, at the Ottawa International Animation Festival awards ceremony on October 4. The prize money--a total of Canadian $28,500--is being divided among 15 selected winners in three categories. First place winners received $4,500, second place $2,000, third place $1500, fourth place $1,000 and fifth place $500. The winners are as follows:
1st place: Liem Nguyen, Kelvin High School (Winnipeg, MB).
The International Center for Gibbon Studies (ICGS) in Santa Clarita, California has agreed to host a private event for artists interested in sketching the live animals. Presented by Women In Animation Los Angeles on Saturday, September 19, from 9:00 a.m. to 3:00 p.m., the trip will include a lectured tour and a rare opportunity to practice life drawing of more than 30 animals. "Gibbons are fast-moving small primates that are active in the morning and slow down during the afternoon, so the day will satisfy quick sketch to intense study for all artists," said event coordinator Susan Palmer.