The studio’s free Ecole Cartoucherie Animation Solidaire partners with Frog Box and Titrafilm on a new course to create a more diversified pool of dubbing actors - addressing underrepresentation in the sector - to meet current and anticipated demands.
As Sr. VP/GM at Disney Television Animation, she has overseen the development of current animated slate, making the studio home to a notable roster of creative talent while launching initiatives promoting and advancing diversity and inclusion.
In concert with the United Nations in India, the kids’ entertainment network is leveraging the popularity of ‘Nicktoons’ to reach kids and empower them to work towards a greener tomorrow; the films are part of an initiative that also features social media marketing and other digital activities.
With the theme ‘Gender Justice: A Global Call for Inclusion in Animation,’ this year’s edition will be presented in collaboration with the Annecy International Animation Festival on June 13.
Canada’s famed National Film Board is coming to this year’s festival boasting 3 short films in competition and a ‘NFB: New Spaces for Storytelling’ Studio Focus showcasing its programming vision and women creators; the event runs from June 13 to 18.
The festival and Mercury Filmworks announce the annual competition’s in-person return as part of TAC, offering Canadian creators a unique opportunity to refine their craft and reach an audience of peers, studio executives, and potential buyers; entry deadline is June 30.
The Franco-African Initiative preps women creators from France and Africa to pitch projects at Annecy 2022; Netflix, Canal+, France Télévisions, Newen Studios Group, CITIA, the French Ministry of Culture, Region Réunion, and the French Embassy of Benin have signed on to lend their support.
2022 Summer slate of animation activities for teens includes a 10-day program in 3D-asset and animation creation – deadline to apply is July 11; YAY UK Competition and Studio Challenges accepting submissions through September 5.
In the new episode premiering May 13 on Disney Junior, the gang meets Fig, a gnome friend who is deaf; the show joins other series, including ‘The Simpsons,’ ‘DreamWorks Madagascar: A Little Wild,’ and Apple TV’s ‘El Deafo,’ breaking ground for deaf representation, expanding inclusivity and promoting awareness.
Initiative provides mentoring and coaching sessions from industry experts to prep women animators from emerging animation communities in Africa, Asia-Pacific, and Latin America to pitch projects at Annecy 2022.
Studio teams with Outlook Company’s animation projects incubator Neru Projects, selecting 6 individuals to learn how to collaborate with creative partners and develop original animated series ideas.
Studio is joined by ILM, ILMxLAB and Skywalker Sound on new documentary series and website that showcase opportunities available within the entertainment industry, specifically visual effects, to help the next, more diverse generation of filmmakers get a foot in the door.
Submissions now being accepted through April 18 for paid virtual fellowships for women creatives from India, Singapore, Malaysia, Pakistan, Bangladesh, Sri Lanka, and Indonesia; participants will be mentored and trained in virtual production.
For creators Jorge Gutiérrez and Sandra Equihua, today’s stories need to resonate with a modern audience, and reinterpreting mythology must include honest design of female characters.
Streamer unveils video and poster at this past Saturday’s ‘Star Trek: Mission Chicago’ fan event, joining with CBS to support ‘First Contact Day’ with $1 donation for every Tweet sent using hashtag #StarTrekUnitedGives through April 10.
Yesterday’s new episode, written by Loni Steele Sosthand, broke ground with two show firsts.
The organization’s career development series that supports women in UK’s VFX and animation industries expands with two iterations this year; applications for Spring are due April 11 with application dates for Fall 2022 to be announced.
Executive Producer Helen Kalafatic talks about the new season of the beloved Dr. Seuss-based series, debuting April 8 on Netflix, and encourages LatinX and other underrepresented groups to find their place in the animation industry.
Women animators from emerging animation communities in Africa, Asia-Pacific, and Latin America are invited to apply for the program that runs June 11-18 in Annecy; deadline for entries is April 8.
The company’s financial support of Governor Ron DeSantis and other backers of Florida’s just-signed ‘Parental Rights’ Bill has helped normalize continued distrust and hatred of gay and trans people.
Women and queer-owned animation studio Mighty Oak deftly integrates stop-motion, collage, motion-graphics and different 2D styles on Netflix’s docuseries that tackles the myths of sex education and how pleasure occurs in the mind.
Paper Owl’s new show sports quirky mixed-media design reminiscent of young boy’s surroundings and daily experiences; show uses humor to build a deeper understanding and empathy among older viewers of the neurodivergent perspective.
Allison Brownmoore’s charming 2D short shares how beautiful, exciting, and optimistic the world can be as seen through the eyes of a young girl with autism.
Group’s commissioned shorts premiered at the recent TNBFC’s event showcasing Black creatives; program’s second round confirmed, with its call for submissions running April 20-July 5, 2022.
Babita Jassal has been promoted to VP of People and Culture, and Hetal Shah joins as senior talent acquisition specialist; staff additions come as the company seeks new creative talent to work across a range of 2D and 3D projects.
